Muniz outlines Sisyphus with debris in the background to suggest the edge and form of Sisyphus's figure and thus create a strong and defining contour line for his boundaries. Muniz uses a dark wire to outline the image of the sack that Sisyphus carries. He also uses objects and wire in a wave-like line within the muscles on the stomach to suggest movement. Muniz’s also uses stippling on his legs and arms. Diagonal lines under Sisyphus’s feet show movement uphill. The bolts, nuts, and industrial parts have precise analytic lines, but Muniz’ use of these items, within this piece and how he arranges them, reflect expressive
Muniz outlines Sisyphus with debris in the background to suggest the edge and form of Sisyphus's figure and thus create a strong and defining contour line for his boundaries. Muniz uses a dark wire to outline the image of the sack that Sisyphus carries. He also uses objects and wire in a wave-like line within the muscles on the stomach to suggest movement. Muniz’s also uses stippling on his legs and arms. Diagonal lines under Sisyphus’s feet show movement uphill. The bolts, nuts, and industrial parts have precise analytic lines, but Muniz’ use of these items, within this piece and how he arranges them, reflect expressive