Georges Lakhovsky published the English version of The Secret of Life at the outbreak of World War II, and it went unnoticed with very little review, but Lakhovsky’s reputation for obtaining dramatic results with his futuristic Multi Wave Oscillator got the world’s attention nonetheless.
By 1941, Lakhovsky emigrated to New York, escaping the Nazi occupation of France. In The Waves that Heal, Mark Clement describes Lakhovsky’s being approached by many people and organizations wanting to capitalize on this MWO therapy. A film featuring real human case studies proved to be both interesting and convincing, and Lakhovsky was approached …show more content…
Later editions of The Secret of Life detailed many of these cases. What seemed like a remarkable development in the use of the MWO in America faded after Lakhovsky unexpectedly died in New York in 1942.
All his equipment was removed from the hospital, and his patients were told that the MWO therapy was no longer available. Except for a brief trial in New York, Lakhovsky’s work remained completely unknown to the American public. Even the spectacular success of the New York cases were quickly forgotten, a strange fluke of memory in that era’s scheme of things. Hidden hands of those in power were at work again, obliterating all memory of Lakhovsky’s Multi-Wave Oscillator in the United …show more content…
Then, in 1986, Borderlands compiled a manual called The Lakhovsky Multiple Wave Oscillator Handbook - which was updated and revised again in 1988, 1992, and 1994. The Handbook includes the compilation of informative articles by many authoritative MWO researchers, including articles by Lakhovsky himself, translated into English.
The MWO produces a wide range of high-frequency pulsed signals which radiate energy into the patient via 2 resonators, one acting as a transmitter and the other as a receiver. The resonator is constructed from a series of round open-ended copper tubes terminating with sphere-shaped knobs.
The rings of copper tubes nest inside each other but don’t touch. In Lakhovsky’s original design, the assembly is held in place with silk thread, and each ring has an open-ended terminator 180 degrees opposite its adjacent ring. The instrument generates a broad spectrum of high frequencies together with static high voltage charges that are applied to the resonators via spark gaps (spaces between electrical terminals across which discharges pass.)
(These high voltages cause a corona discharge around the perimeter of the outer resonator ring which Nikola Tesla referred to as an “electric brush” and Lakhovsky referred to as