In the early 1900s, a guy by the name of Charles “Buddy Bolden” who some consider as the Father of Jazz, had a different style when playing his cornet. Bolden would play louder than usual to really emphasize his piece. Another musician in that same era named Jelly Roll Morton had also developed a unique form. Although form was combining three of the main jazz styles into a new original style. What these two icons in this period of jazz showcased, was that jazz musicians as a whole, are multifaceted. Many tend to drive in their own lane than try to copy everyone else. This can essentially lead to evolutions overtime in the genre as more people pioneer and create new waves. One example of this would be the Harlem Stride. This was a technique that was done with the piano. More specifically, this was a done with the left-hand and incorporated a high energy, ostentatious and demanding style. The Harlem Stride came about simply because musicians wanted to stir up the competition with something …show more content…
One, in particular, was swing. Swing was a format that orchestrated with big/dance bands in the 1930s to 1940s. What was unique about swing was that it was revolutionized by teenagers. Most of the fans were teens who felt the need to make a stand in society, and they certainly did with swing. With music this category also brought a new trend of fashion as people would wear bobby sox, white buck shoes, and sweaters. Although the most impactful thing that swing changed for jazz was the dancing. People gathered in a dance hall and danced while music was playing. This was certainly something different and not the most orthodox thing that jazz was sought out to be. Now with all the swing talk, it’s appropriate to mention the person who was known as the King of Swing, Benny Goodman. What made Goodman such a key figure during this era was that he bridged the gap between jazz and white America. This was big because jazz would now receive exposure on a larger