Despite its underlying social commentaries, the family and outfits is made in extremely well detail and mastery to show De Goya’s dedication to his works. These elegant clothes all could display personality, as although all shifting around uncomfortably they all have different postures. For example, the king's first son as seen at the left of the painting seems to be the most confident and even the closer to the front of the painting then his father was, as his wife has an arm around his waist. Being the heir, this could have been a compliment to ambition and strength as the future king, despite in the future becoming a despot and isolating De Goya from Spain. This work was also crafted in a sense to appreciate Velazquez’s painting depicting the family of Philip IV of Spain’s family, no doubt the inspiration for the purpose of how it was
Despite its underlying social commentaries, the family and outfits is made in extremely well detail and mastery to show De Goya’s dedication to his works. These elegant clothes all could display personality, as although all shifting around uncomfortably they all have different postures. For example, the king's first son as seen at the left of the painting seems to be the most confident and even the closer to the front of the painting then his father was, as his wife has an arm around his waist. Being the heir, this could have been a compliment to ambition and strength as the future king, despite in the future becoming a despot and isolating De Goya from Spain. This work was also crafted in a sense to appreciate Velazquez’s painting depicting the family of Philip IV of Spain’s family, no doubt the inspiration for the purpose of how it was