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It also introduces a rhythmic quality typical of Spanish ballads, creating a “ballad within a ballad” effect, increasing the dramatic tension. Additionally, the alliteration of the plosive “p” in the final line contrasts with this. It draws the readers’ attention to the promise of “terrible final years” and thus Fortuna’s true message. Alliteration is not the only technique employed. Repetition in the form of parallelism is also used to great effect:
“Las cincuenta están tañendo”
“Las cincuenta están cantando” (p4)
Parallelism is a common feature of Spanish ballads. Here, the repetition of “las cincuenta” adds to the impression of Roderigo’s wealth. It also contrasts the maids’ beauty with the grief of nature. Moreover, it draws attention to Fortuna, who is also a maid, yet distinguishes herself with her prophecy. It is within her speech that we find even more repetition. For example, the repetition of “tu” when detailing the extent of the destruction wrought on Spain, makes it clear that Roderigo is to blame. The list she presents shocks the reader, as nothing escapes from the destruction:
“Y verás tus gentes muertas
Y tu batalla rompida
Y tus villas y ciudades”