Virginia Woolf, for example, was constantly grappling with huge events that shaped the experiences of her life that shook the fabrications of the society she existed in. Most notably, the First World War, which is a popular point of exploration for writers still, Joyce talks a lot in Portrait of The Artist about Irish Nationalism, with Charles Parnell being a prominent figure, though not a character, in the novel. I don't think Okri would argue that these themes in any way diminish the aesthetic brilliance of both authors. In the same way, the black writers should not be criticized for writing about the events that have shaped their experiences. Neither should we assume it prevents them from being …show more content…
Specifically, examples of hybridity occur often. For instance, after the character Azaro wrongly believes a figure by the river to be the ferryman of the dead, he learns that she is in fact a hybrid woman, young in body but ‘with an old woman’s face’. The illustration is also a hybrid of ancient ritual and custom. Also, The Famished Road depicts the theme of political struggle and political corruption. The character Madame Koto is implied in the corruption of modern Nigerian politics. She encapsulates the new power herself, rather than