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28 Cards in this Set
- Front
- Back
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D-Control
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Gives physical interface to workstation
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Components of a sound track
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Dialog
Music Effects |
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Main types of time code
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24 frames
It is used for film in North America or Japan. |
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Main types of time code
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24 frames
It is used for film in North America or Japan. 25 Frame (EBU) Used in Europe. You wish you lived in europe.... EVERYTHING is 25 frame (non- drop) Video and film the same! 1:1 (sweet) |
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25 Frame (EBU)
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Used in Europe.
You wish you lived in europe.... EVERYTHING is 25 frame (non- drop) Video and film the same! 1:1 (sweet) |
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30 NDF
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Used in audio mostly
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30 frames Drop
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it is for fixing odd time problems...
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29.97 Non-drop
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*Used for NTSC video in the U.S. and Japan
*NTSC frame RATE is 29.97 frames a second but the frame COUNT is 30. *0.1 % slower than real time...... Not a biggie unless you are on a schedule. (like tv) |
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29.97 Drop
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*For broadcast
*Broadcast people need time code to LOOK like actual time. *so just drop 0.1% of the frame numbers *Then readout will agree with real elapsed time. (on average) |
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29.97 drop
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*so we just drop the first two frames of every minute EXCEPT the top of the hour and the tens of minutes.
*so 00, 10, 20, 30, 40 and 50 ARE counted *the first two frames of all other minutes are dropped. |
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In 29.97 drop can you spot a SOUND TO 00;05;00;00??
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No
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23.976
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*24 frames per second pulled down
*HD and Film to tape transfers |
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Positional/Location Reference
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*For maintaining constant relationship between two devices as to their PLACE IN TIME
*Timecode! |
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Clock Reference
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Regulates SPEED of a system
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Clock References
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*Video Blackburst (analog video,
no picture or color) *NTSC video (analog video with picture, less stable) *Tri-Level (HD video) *Word Clock (digital audio clock signal) *LTC (analog timecode, less stable) |
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Clock References
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*Video Blackburst (analog video,
no picture or color) *NTSC video (analog video with picture, less stable) *Tri-Level (HD video) *Word Clock (digital audio clock signal) *LTC (analog timecode, less stable) *AES-(synching information from digital audio) *Bi-Phase (when synching to mag) |
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How do you make a 2 pop? And what is it for?
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1 Frame 1kHz Tone
Control > Option > Shift > 3 |
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SMPTE Trigger only
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*No word clock or house sync
*OK for something short. |
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Smpte trigger with word clock or house sync
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This uses the usd or sync box to lock to word clock or house sync to keep playback at the same rate as other things in the system.
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SMPTE with LTC resolve
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Pro-tools chases incoming LTC
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SMPTE resolved with SYNC i/o
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*this is the 4th way.
*Sync i/o is locked time code but is clocking to house sync..... |
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Reference Levels
SMPTE standard: EBU standard |
SMPTE standard: -20 dbFS=0 vu
EBU standard -18 dBFS=0 vu |
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ADR
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Automated Dialog Recording Automatic Dialog Replacement
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GOT MICS?
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*Usually two mics are used
*Usually a shotgon *Use the same mic as production audio *One mic is 2 feet from actor and slightly higher than the forehead..pointed towards the mouth *The other is 3 to 5 feet from actor and slightly higher. *This one is used for loud parts or different perspective. |
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ISDN
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Integrated Services Digital Network
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Diegetic
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Sound Who's source is visible on screen
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Non Diegetic
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Sounds who's source is not visible on screen
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Speaker placement on the horizontal
plane |
All from listening position:
Center zero degrees Front Left and Right 30-35 Degrees Rear Left and Right 100-120 Degrees |