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16 Cards in this Set
- Front
- Back
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pop song structure
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intro
v1 chorus v2 chorus m8 v3 chorus chorus outro |
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Britpop bands and their main songs
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smiths- 1980s influenced others, I Know It's Over
Happy Mondays- Step On 1990s Blur- Parklife 1994 Suede- Animal Nitrate 1993 Pulp- Common people 1995 Oasis- Wonderwall- 1995 Beatles- Hard Day's Night 1964 The Kinks- Sunny Afternoon 1966 The Who- Pinball Wizards mid-60s elastica- 2:1 1995 |
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composers who use aleatoric music
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john cage: 4'33"
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cornelius cardew
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specialized in noise as music
'36-81 memories of you, 1964 grand piano and 3 random objects |
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composers that specialized in experimental approaches to composition for voice
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john cage in around 1970
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composers that fiddled with the rise of electronics
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olivier messiaen (1908-92)
stockhausen Pierre Boulez (b. 1925) Luciano Berio (1925-2003) |
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composers who liked moment form (no rhythm restrictions)
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stockhausen
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flanger
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feeding % of delaayed sound source back into sound source, "swoosh" effect created
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vaudeville (name a composer and song and dates too)
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a set of borrowed popular songs with new words
ex the beggar's opera(1728) by John Gay |
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burlesque
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parody of a more serious production
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opera-bouffe
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songs composed especially for musicals- hms pinafore (1878)
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minstrelsy
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white people made up to be black people and making fun of them, 2nd half of 1800s
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melodramas
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same time as minstrelsy, included musical cues for different scenes, but largely driven by dialogue
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'30s-60s, why stuck in rut, and most imp. american composers (3) plus 2 famous musicals wit dates?
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censored,
Rodgers and Hammerstein (Oklahoma! 1943)(Carousel '45) Irving Berlin (annie get your gun 46) cole porter (anything goes 34) (kiss me, kate 48) |
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what revived the british musical in the 1960's?
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oliver by lionel bart
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steven sondheim
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composed A Little Night (1973) huge hit, then less mainstream w/ exception of Sweeny Todd (1979)
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