- Shuffle
Toggle OnToggle Off
- Alphabetize
Toggle OnToggle Off
- Front First
Toggle OnToggle Off
- Both Sides
Toggle OnToggle Off
Front
How to study your flashcards.
Right/Left arrow keys: Navigate between flashcards.right arrow keyleft arrow key
Up/Down arrow keys: Flip the card between the front and back.down keyup key
H key: Show hint (3rd side).h key
![]()
PLAY BUTTON
![]()
PLAY BUTTON
![]()
33 Cards in this Set
- Front
- Back
- 3rd side (hint)
|
String Quartet No. 1
first section "Fantasia-Allegro scsorrevole" |
Carter, 1951
|
serialism, pitch class sets. not freely atonal, not 12-tone |
|
Variations Aldous Huxley in memoriam
|
Stravinsky, 1964
|
serialism, 12 tone |
|
Introduction and section I from Kreuzspiel
|
Stockhausen, 1959
|
integral serialism |
|
Le marteau sans maitre, 4, 5, 6
serialism, with 'composer's choice' |
Boulez, 1957
|
serialism |
|
Atmospheres
|
Ligeti, 1961
|
textural music textural music: outgrwoth of INTEGRAL SERIALISM. composers liked the sound of it, but not the means. tone cluster. reaction against the detail of serialism, but goes with the affect. |
|
Music of Changes, Part 4, no 1
|
Cage, 1951
|
indeterminancy |
|
Piano Sonata No. 3 "Trope"
|
Boulez, 1957
|
|
|
Venetian Games
|
Lutoslawski, 1961
|
serialism and indeterminancy. aeleatoric counterpoint. aeleatoric counterpoint: pitches and rhythms are notated conventionally, but improvised within parameters. the result is a busy polyphony with lines subsumed into a texture. |
|
Sinfonia in D Major from Cantata No. 29
|
Bach/Carlos, 1968
|
electronic. |
|
Gesang der Jünglinge
|
Stockhausen, 1956
|
electronic. |
|
Poeme electronique
|
Varese, 1958
|
electronic |
|
Phenomena
|
Babbit, 1974
|
electronic |
|
In Two Worlds: Concerto for Alto Saxophone and Computer
|
Subotnick, 1987
|
electronic. |
|
Couleurs de la cite celeste
|
Messiaen, 1963
|
eclecticism |
|
County Dance
|
Davies, 1969
|
eclecticism. |
|
String Quartet No. 6
|
Rochberg, 1972
|
eclecticism |
|
Black is the Color, from Folk Songs
|
berio, 1964
|
Eclecticism |
|
Sinfonia, Mov. III
|
Berio, 1969
|
Eclecticism |
|
String Quartet No. 3, Mov. I
|
Schnittke, 1983
|
Eclecticism |
|
The Seven Words, Mov. III
|
Gubaidulina, 1982
|
Eclecticism |
|
III. Rondo-Finale from Concerto in D for Violin and Orchestra
|
Bolcom, 1984
|
Eclecticism |
|
Clapping Music
|
Reich, 1972
|
minimalism, phase technique |
|
Knee Play No. 4
|
Glass, 1973
|
minimalism, einstein on the beach |
|
Tehillim, Part I
|
Reich, 1981
|
minimalism, post phase technique |
|
Window of Appearances, from Akhnaten
|
Glass, 1983
|
minimalism, repeated pitch and rhythm ideas along with lush phrases. theatrical work. |
|
Berlin Mass, Credo
|
Pärt, 1990
|
minimalism, european mysticism |
|
Ecstatic Alice,
from Child Alice: Part I of "In Memory of A Summer Day" |
Del Tredici, 1980
|
New Romanticism, conservatisim. accessability in music. |
|
Symp No. 3, Mov. II
|
Gorecki, 1976
|
European Mysticism |
|
The Chairman Dances, Foxtrot for Orchestra
|
Adams, 1985
|
Post-minimalism |
|
Berlin Mass, Credo
|
Pärt, 1990
|
minimalism, european mysticism |
|
Ecstatic Alice,
from Child Alice: Part I of "In Memory of A Summer Day" |
Del Tredici, 1980
|
New Romanticism, conservatisim. accessability in music. |
|
Symp No. 3, Mov. II
|
Gorecki, 1976
|
European Mysticism |
|
The Chairman Dances, Foxtrot for Orchestra
|
Adams, 1985
|
Post-minimalism |