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46 Cards in this Set
- Front
- Back
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Describe Romanticism
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- strong sense of beauty & nature
- deep sympathy with obscure/humble underpriviledged ppl - vivid imagination that can contruct dream worlds - rebellion against tyrannical authority - interest in ancient legends & traditions - melancholy that comes from not being able to reach some high ideals - great sense of individuality - emphasis on emotion |
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William Wordsworth: Relationships
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- Had trouble with French/English war since he fell in love with Anette Vallon (french) . Made their love difficult.
- Coleridge and Wordsworth buds b/c Coleridge pushed him to get past depression and into creativity. |
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William Wordsworth: Poems
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- Wrote "My heart leaps up when I behold", "London 1802" and "the world is too much with us"
- Prelude deals with memory and growth for him to be able to look back at his growth and triggers poetic expression. Also helps understand universal patterns of growth. |
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"My Heart Leaps Up"
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- written by William Wordsworth
- "My heart leaps up when I behold A rainbow in the sky" > loves nature; draws strength and inspirtaion from rainbow. |
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"My Heart Leaps Up"
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- Written by William Wordsworth
- "And I could wish my days to be Bound each to each by natural piety." - Wishes even in his old age, his response to nature is as intense as it is now. |
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"The World is Too Much with Us"
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- Written by William Wordsworth
- It moves us not.--Great God! I'd rather be A Pagan suckled in a creed outworn; > Rather be a pagan since they worship nature |
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"The World is Too Much with Us"
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- Written by William Wordsworth
- The world is too much with us; late and soon, > The world (society and people) is too into itself and not conected enough with nature |
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Imagery
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- "The Sea that bares her bosom to the moon" - The World is Too Much with Us by William Wordsworth
- To create a mental picture in the reader's mind |
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Paradox
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- "The child is father of a man" - My Heart Leaps Up by William Wordsworth
- early childhood often creates base for what kind of an adult they become. - Contradictory statement that contradicts itself, yet works in context. |
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Personification
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- "My heart leaps up" - My Heart Leaps Up by William Wordsworth
- Unhuman things expressing humanistic characteristics |
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"Apostrophe to the Ocean"
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- "I love not Man the less, but Nature more"
- Shows romanticism of this poem and the author. |
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"Apostrophe to the Ocean"
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- "He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown" - man not greater than nature. |
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Apostrophe
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- To speak to an inaminate object or something unliving.
- Ex."And I have loved thee, Ocean! " - Apostrophe to the Ocean by Byron. |
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Parralel Structure
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- Sentence with matching grammatical structure
- Ex. "There is a pleasure in the pathless woods, There is a rapture on the lonely shore" - Apostrophe to the Ocean by Byron. |
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Paradox
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- A statement contradictory of its own; yet works.
"There is society where none intrudes" - Apostrophe to the Ocean by Byron. |
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Personification
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- An un-human object or creature expressing human qualities
- Ex. "The oak leviathans, whose huge ribs make" - Apostrophe to the Ocean by Byron. |
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Solecism
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- Grammatical error
- Ex. "And dashest him again to earth: --there let him lay" - Apostrophe to the Ocean by Byron. |
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Spenserian Stanza
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- Format of "Faerie Queen" by Spenser
- Nine lines in total: eight lines in iambic pentameter, a single 'Alexandrine' line in iambic hexameter after. - The rhyme scheme: ababbcbcc - Ex. Apostrophe to the Ocean by Byron. |
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Apostrophe
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- To talk to something unliving
- "O Wild West Wind, thou breath of Autumn's being" Ode to the West Wind by Byron. |
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Personification
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- An un-human object or creature expressing human qualities
- "The hand that mocked them and the heart that fed." - Apostrophe to the Ocean by Byron. |
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Assonance
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- Repetition of vowel sounds inside words
- "where they lie cold and low," Ode to the West Wind by Byron. |
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Terza Rima
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- Rhyme scheme consisting of A-B-A, B-C-B, C-D-C, D-E-D.
- Ex. Ode to the West Wind by Byron. |
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Ode
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- Lyrical verse written to praise something
- Ex. Ode to the West Wind by Byron |
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Ode
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- Divided into three main parts: strophe, antistrophe and epode.
- Pindaric ode (named after Greek poet) contained very grand and heroic style and tone - Romantic poets like using this since it allowed intense and expansive personal expression. |
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When I Have Fears that I May Cease to Be
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- By Keats
- "And when I feel, fair creature of an hour! That I shall never look upon thee more," - shows shift from concern to losing a beloved. |
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When I Have Fears that I May Cease to Be
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- Written by Keats
- "Till Love and Fame to nothingness do sink" - Mortality makes human aspirations meaningless. |
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Ode to Nightingale
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- Written by Keats
- "Thou wast not born for death, immortal Bird!" - The birds voice shall be forever heard |
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Ode to Nightingale
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- Written by Keats
- "With beaded bubbles winking at the brim" - Speaker tries to rid pain through drinking |
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Ode to Nightingale
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- Written by Keats
- "Away! away! for I will fly to thee" - speaker tries to rid pain through flying away |
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Ode to Nightingale
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- Written by Keats
- I have been half in love with easeful Death, - Death something to look forward to to rid pain. |
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Tone
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- Author's persona or attitude towards the subject.
- Ex. "My heart aches, and a drowsy numbness pains" - melancholy grieving tone. |
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Rhetorical Question
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- Question not needed to be answered, more of a statement.
- "Was it a vision, or a waking dream? Fled is that music:—do I wake or sleep?" |
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Dramatic Monologue
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- Different from Soliloquoy since it speaks to the audience or other characters.
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Ulysses
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- Written by Lord Alfred Tennyson, (victorian era, 1832-1901)
- "To strive, to seek, to find, and not to yield." - Shows that to live one must continue to live. |
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Ulysses
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-- Written by Lord Alfred Tennyson, (victorian era, 1832-1901)
- "there lies the port, the vessel puffs her sail" - Marks major new section of poem |
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Rime of the Ancient Mariner
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- Written by Coleridge
- And a good south wind sprung up behind; The albatross did follow, And every day, for food or play, Came to the mariners' hollo! - shows theme of great pride of mariner |
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Rime of the Ancient Mariner
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- Written by Coleridge
- And every tongue, through utter drought, Was withered at the root; We could not speak, no more than if We had been choked with soot. - Shows theme of suffering |
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Rime of the Ancient Mariner
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- Written by Coleridge
- And through the drifts the snowy clifts Did send a dismal sheen: Nor shapes of men nor beasts we ken – The ice was all between - shows theme of isolation |
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Rime of the Ancient Mariner
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- Written by Coleridge
- Ah! wel-a-day! what evil looks Had I from old and young! Instead of the cross, the albatross About my neck was hung - shows theme of transformation |
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Rime of the Ancient Mariner
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- Written by Coleridge
- He holds him with his glittering eye – The wedding-guest stood still, And listens like a three-years' child: The mariner hath his will - shows theme of supernatural |
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Archaic diction
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- Words used back in the day and not now
- "I fear thee, ancient Mariner!" - coleridge, mariner |
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Atmosphere
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- Feeling of the poem
- Ex. Feeling of supernatural, ghostly, mysterious in the ancient mariner. |
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Foreshadowing
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- Predisposed events or comments that hint to future events.
- The sailors' being tapped in the disorienting "rime" foreshadows the Ancient Mariner's later imprisonment in limbo. |
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Internal Rhyme
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- Rhyme found inside a line
- "The guests are met, the feast is set" coleridge, ancient mariner |
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Literarry Ballad
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- narrative poem that mirrors old folk ballads.
- Ancient Mariner. |
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Motif
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- Reaccurring symbol or theme like element
- The eye in the Ancient Mariner. |