In All the Light We Cannot See written by Anthony Doerr, both determinism and free play a large role in the character development of Marie-Laure (Talks about Marie without going into detail). When Von Rumpel enters the house, determinism is already in play. Marie-Laure had no choice in the matter, however, she still has lots of options of what she can do.
Her first instinct is to get as far away from the footsteps she’s hearing. She ascends from the third floor to the sixth. From there, she can go into three separate rooms, her grandfather’s room, a small bedroom with broken windows, and a bathroom With all of this being free will, she opts not to go out the window, but instead enter her grandfather’s room and hide in the wardrobe with the
Her first instinct is to get as far away from the footsteps she’s hearing. She ascends from the third floor to the sixth. From there, she can go into three separate rooms, her grandfather’s room, a small bedroom with broken windows, and a bathroom With all of this being free will, she opts not to go out the window, but instead enter her grandfather’s room and hide in the wardrobe with the