The upbringings of Amory’s childhood are played in the Exposition of the Sonata, where these themes recur throughout the novel and alternate corresponding to the direction of the melody. Evidently, the tradition Beatrice educated Amory provide an exclusive bass, the fundamental base in which he builds on and acts accordingly to. He bears the melody triumphantly as he tries out for the football team, in attempt to enter into a fantastic chorus as the Big Man; consequently, he opens his eyes to find the spoiled illusion of the Big Man he pursued at the first failure of joining the football team. At this point, he realizes that the deception of harmony in life is not easily obtained. Fitzgerald composes an over sumptuous tone in the Exposition; thus the chords Beatrice sets serve as the fundamental base for Amory’s future life. With the absence of a father, the Exposition lacks the deep-rooted chords of the bass; instead, the first part of the piece consists of only Amory plus Beatrice plus St.
The upbringings of Amory’s childhood are played in the Exposition of the Sonata, where these themes recur throughout the novel and alternate corresponding to the direction of the melody. Evidently, the tradition Beatrice educated Amory provide an exclusive bass, the fundamental base in which he builds on and acts accordingly to. He bears the melody triumphantly as he tries out for the football team, in attempt to enter into a fantastic chorus as the Big Man; consequently, he opens his eyes to find the spoiled illusion of the Big Man he pursued at the first failure of joining the football team. At this point, he realizes that the deception of harmony in life is not easily obtained. Fitzgerald composes an over sumptuous tone in the Exposition; thus the chords Beatrice sets serve as the fundamental base for Amory’s future life. With the absence of a father, the Exposition lacks the deep-rooted chords of the bass; instead, the first part of the piece consists of only Amory plus Beatrice plus St.