During the war, German soldiers were represented as “pure”, when women, such as prostitutes, were represented as corrupted, especially to the soldiers. Some of the artwork include Visit to Madame Germaine’s in Mericourt (Otto Dix, 1924), Front-line Soldier in Brussels (Otto Dix, 1924), Whore with War Cripple (Otto Dix, 1923), Violated Women's Corpse (Friedrich), German ‘Heroes’ in Belgian Brothels (Friedrich), The Beggars (Kollwitz, 1924), and The Survivors (Kollwitz,
During the war, German soldiers were represented as “pure”, when women, such as prostitutes, were represented as corrupted, especially to the soldiers. Some of the artwork include Visit to Madame Germaine’s in Mericourt (Otto Dix, 1924), Front-line Soldier in Brussels (Otto Dix, 1924), Whore with War Cripple (Otto Dix, 1923), Violated Women's Corpse (Friedrich), German ‘Heroes’ in Belgian Brothels (Friedrich), The Beggars (Kollwitz, 1924), and The Survivors (Kollwitz,