The first phenomena, and perhaps one of the ones most widely seen throughout the film is that of the effects of conformity in a group dynamic setting. The definitions of conformity vary, but ultimately we conform to others when perceived or real pressure from them causes us to act differently than we would if we were to be alone. (Cialdini and Trost 1998) This is evident in many scenes throughout 12 Angry Men. The first incidence of this phenomena in the film is in the very beginning, when the entire group agrees to take the first open ballot, which turns out to be 11 for guilty and only 1 for not guilty. There is a clear depiction of conformity as Juror 1 asks those who vote not guilty to raise their hand. What we immediately see is the disconcerted faces as not all hands go up at once, but instead there is a pause where some look around at each other. You can clearly see the pressure which must be felt, not wanting to be the odd ones out, wanting to fit in they raise their hands in unison simply because the
The first phenomena, and perhaps one of the ones most widely seen throughout the film is that of the effects of conformity in a group dynamic setting. The definitions of conformity vary, but ultimately we conform to others when perceived or real pressure from them causes us to act differently than we would if we were to be alone. (Cialdini and Trost 1998) This is evident in many scenes throughout 12 Angry Men. The first incidence of this phenomena in the film is in the very beginning, when the entire group agrees to take the first open ballot, which turns out to be 11 for guilty and only 1 for not guilty. There is a clear depiction of conformity as Juror 1 asks those who vote not guilty to raise their hand. What we immediately see is the disconcerted faces as not all hands go up at once, but instead there is a pause where some look around at each other. You can clearly see the pressure which must be felt, not wanting to be the odd ones out, wanting to fit in they raise their hands in unison simply because the