She is the opposite to her ecstatic sister Ismene; unlike her submissive sister, she is ashen, reserved, and headstrong. She has a youthful figure and oaths her adolescence. She is the contrast version of the overdramatic heroine, the representative blond ingénue as personified in Ismene. She has always been problematic, frightening Ismene as a juvenile, always claiming on the satisfaction of her desires, denying to “understand” the bounds located on her. She had a strong jealousy of Ismene. Unlike Antigone, Ismene is the object of all men’s desires. Antigone has a different type of beauty compared to Ismene such as her doing something for her brother that nobody else would do risking his or her life. Even though Ismene and Antigone have different ways of seeing things, they still connect in how they are blood-related sisters. Although, they are not the only characters involved in the play; Creon, the ruler of Thebes is also involved with
She is the opposite to her ecstatic sister Ismene; unlike her submissive sister, she is ashen, reserved, and headstrong. She has a youthful figure and oaths her adolescence. She is the contrast version of the overdramatic heroine, the representative blond ingénue as personified in Ismene. She has always been problematic, frightening Ismene as a juvenile, always claiming on the satisfaction of her desires, denying to “understand” the bounds located on her. She had a strong jealousy of Ismene. Unlike Antigone, Ismene is the object of all men’s desires. Antigone has a different type of beauty compared to Ismene such as her doing something for her brother that nobody else would do risking his or her life. Even though Ismene and Antigone have different ways of seeing things, they still connect in how they are blood-related sisters. Although, they are not the only characters involved in the play; Creon, the ruler of Thebes is also involved with