In the beginning of the play, Ismene accepts her fate without conflict, who is “born too feeble to contend Against the state” (Antigone; Act 4). Later on in the book, Ismene goes through significant change as she stands by her sister to share the fate that Creon set with them. Free will is also important when talking about Creon, a character who considers himself superior, all-powerful, and the master of any who oppose him. Creon ignores the consequences of his action and attempts to correct his mistakes when the prophet Tiresias predicts his own fate, but since free will ultimately dominates fate in the play, it was too late to save Antigone and Haemon, who have already killed themselves. Similarly, Antigone's fate was to live, but her free will allows her to choose to disobey Creon’s law about burying her brother and therefore, her choice to go against Creon ultimately changes her
In the beginning of the play, Ismene accepts her fate without conflict, who is “born too feeble to contend Against the state” (Antigone; Act 4). Later on in the book, Ismene goes through significant change as she stands by her sister to share the fate that Creon set with them. Free will is also important when talking about Creon, a character who considers himself superior, all-powerful, and the master of any who oppose him. Creon ignores the consequences of his action and attempts to correct his mistakes when the prophet Tiresias predicts his own fate, but since free will ultimately dominates fate in the play, it was too late to save Antigone and Haemon, who have already killed themselves. Similarly, Antigone's fate was to live, but her free will allows her to choose to disobey Creon’s law about burying her brother and therefore, her choice to go against Creon ultimately changes her