Despite these divides, the book can be easily divided into to main categories. The first is of the historical role of ethnic identities before, during and after the colonial period. This period includes the 1959 Hutu Revolution, 1962 Independence, First and Second Republic under President Gregoire Kayibanda and Juvenal Habyarimana respectively, the genocide and the rebuilding process since under the control of Kagame. The second section examines how the crafting and education of historic and current identities effects current understandings of what it means to be ‘Rwandan’. This includes an understanding of the origins of Rwanda with the core focus on ethnic divisions. Fegley examines the grappling of this subject mostly in the various methods of reconciliation, justice and education. The role of education to craft the new ‘Rwandan’ identity provides the greatest amount of analysis and previously unpublished research. History education plays an important role, but teaching history is complicated as students, teachers and parents all experienced the genocide. While some fear a possible repetition of the genocide, others such as teachers are nervous about being accused of denying the genocide when teaching Rwandan history and …show more content…
The quantity of information given in Fegley’s new book is able to be both extensive as well as accessible. The organisation of the various historical periods, events and people fosters an easy understandings of details and the possible consequences they have on how Rwandans view identity whether in terms of socio-economic, royalty, ethnic or the current nationalism. Various academic materials used throughout this book bolster its ability to inform and not be categorised as either 'for ' or 'against ' a specific interpretation of Rwandan history and identity. However, the level of analysis is not new as much of the book reads like a literature review of the debate rather than trying to help argue for or craft its own interpretation of Rwandan identity. This lack of a new or fresh argument might stem from the relatively weak new information on the subject. While the author writes how he conducted fieldwork within Rwanda for this book, not enough of those experiences or data are used. Its attempt to use Stephen Karpman 's Drama Triangle to help illustrate the complexities of the relationships within Rwanda 's genocide perpetrator, survivor and bystander categories is only discussed during the last few pages of the book. More could have been done to analyse the mythologies of