Dorian does not have to lament his sins for as long as Lord Henry, who has to deliberate over his bad deeds for many more years. Lord Henry corrupts Dorian’s mind, due to the fact his own mind is distorted. Now Henry has to live by himself and his thoughts because his friends are dead due to Henry’s decision to manipulate Dorian. In addition Lord Henry’s wife,…
This is why art’s role in society is to allow an artist to communicate a message and express beliefs, so the audience can create their own interpretation of the art and therefore reflect their own nature in the work. During the Victorian Era in England, refined sensibilities and traditional customs were followed by most of society. However, Oscar Wilde was a prominent figure in opposing these ways of life with his flamboyant appearance and contempt for cultural values. While he was an ambassador for Aestheticism, Wilde wrote The Picture of Dorian Gray, which portrayed many of his beliefs.…
I am jealous of the portrait you have painted of me. Why should it keep what I must lose?” (29) As time passes throughout the novel, Dorian becomes more and more obsessed with his image in the painting, referring to Narcissus directly. “Once, in boyish mockery of Narcissus, he had kissed, or feigned to kiss, those painted lips that now smiled so cruelly at him. Morning after morning he had sat before the portrait, wondering at its beauty, almost enamoured of it, as it seemed to him at times.”…
Artists can paint life, but they can also portray fantasy or non-reality as a means of expression. The spectator, however, holds the consciousness and decision to interpret the piece of art in his or her own way. Humans see what we want to see. And so most of the time, art reflects our desires instead of life and reality. In the novel, The Picture of Dorian Gray, characters like Lord Henry, Dorian and Sibyl confuse and even manipulate the nature of art, who ultimately are convinced by their own interpretations of a work of art, base their life on that interpretation, and so become troubled when they are exposed to reality because they do not know how to handle it.…
As Lord Henry puts it, “Because to influence a person is to give him one’s own soul. He does not think his natural thoughts, or burn with his natural passions…” (19). Through these influential words, Lord Henry seems to be foreshadowing the ways in which he plans on imprinting Dorian’s…
The reader finds that the dispositions of each character, whether they are morally good or bad, relate to their opinion of the rewards of morality. Without seeing the effects of his evils, “the wicked” left “[un]punished, nor the good rewarded,” Dorian believes that he can do anything. (Wilde 168). Dorian is left with no motivation to be moral, believing that morality doesn’t lead to happiness (Wilde 67). This lack of motivation leaves Dorian completely without guilt, or an understanding of his wrongs.…
Put in Ragland-Sullivan’s own terms: “The novel’s climax is attributable, then, to Dorian’s final realization that it was impossible to sustain his own narcissistic ideal image in light of the harsh judgements meted out by the social order. The picture becomes the ultimate proof that outer voices find an inner resonance within Dorian himself”…
The Victorian Era was the mid nineteen centuries to the early twentieth century when a woman’s role was to be at home having nothing to do with work or out of home things. The feminine side was looked to as powerless. It kept women from having any sort of power and made sure that women were not look at as normal people not only in the eyes of men but women as well. The Picture of Dorian Gray displays the aftereffect of disregarding women. In this novel, the way the male characters treated the women it was as if the women were not important and this was shown through the evil acts of Dorian Gray.…
Dorian Gray Master Theme Paper The Picture of Dorian Gray by Oscar Wilde is about three men--Lord Henry, Basil Hallward, and a younger man named Dorian--who all have either hedonistic views or depleasuristic views on life. Lord Henry influences Dorian to be hedonistic and only care about beauty and aesthetic pleasure, buthowever Dorian takes it to the extreme and becomes completely enveloped in beauty. Throughout the novel, these two hedonistic men idolize beauty, but as they idolize it, they also push said beauty away.…
He would go back to Sibyl Vane, make her amends, marry her, try to love her again.’ (78) His underlying intention is to ensure that his portrait would not change. This opportunity of atonement could have been the reason of redemption for Dorian, however he did not truly mean it. Dorian was trying to knock two bird with one stone, but in the case of redemption, it is…
Oscar Wilde opens up the novel of Dorian Gray with exceedingly sensuous language such as; “catch the gleam of honey-sweet and honey-coloured blossoms of laburnum whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs..” These sensuous elements, as well as many other examples throughout the first few chapters is intended, by Wilde, to correspond with the idea of aestheticism. Being a large theme of the novel, the deeply sensuous language allows the reader to connect with not only the novel, but even Wilde himself. Through only using our senses, the reader is not only able to feel a part of the story Wilde is telling as we can vividly imagine the smells, colours and sounds etc. as a result of his…
This is also true in how it affects anybody’s behavior. Art can open people up to new ideas and beliefs, and artists can make an enormous impact as role models, either in a negative or a positive formality. Art reach out with us on so many levels, and appeals to emotions, senses, reason, and fantasy because it inevitably affects us more than other areas of our judgement. There are some of us who would pay to see a scientific research, but most of us are regular cinema goers, visit art galleries or photo exhibitions. They can co-exist because of the fact that it is easy to be affected by something we see, hear, or read that seems to us to be something to which…
In the novel, Oscar Wilde expresses his understanding of the relation between everyday life and art in two obvious metaphors: Dorian Gray as the real life and his portrait as the art. In Wilde’s view, art should derive from real life, and thus be the reflection of it, however higher in authentic value. In the novel, the picture of Dorian Gray is actually the reflection of himself, which once has a great beauty that Dorian envies. As Dorian’s soul decays, the picture becomes eventually hideous because it is the most loyal mirror of his soul. By reflecting Dorian’s ugliness, the picture loses its original beauty.…
In amending his work the following year, Wilde introduced additional chapters, considerable alterations and a preface, which serves to defend and explain his philosophy of art, including the famous passage: “There is no such thing as a moral or immoral book. Books are well written or badly written that is all.” In order to comprehend his claim fully, one must firstly take into consideration the moral environment of the time period, and the Victorian sensibility regarding art and morality. The picture of Dorian Gray is set at the height of the decadent artistic movement, making the novel a contemporary of its author, Oscar Wilde, a leading figure of this movement, popularly known as Aestheticism, in Britain. The decadent movement however, celebrating aesthetic pleasure and experience, took place in the broader setting of the late Victorian era, which of course was dominated by Victorian morality.…
At the dawn of the nineteenth century, the civilization of England mediated around a rebirth of a religious movement that was exclusive to the Puritan age. People lived their lives upon the foundations of moral behavior, where all art was a mere reflection of religion and morality. This notion persisted that art served as a reinforcement of ethics. As religion and morality pursued to restrict art to stand on its own, a group of artists revolted against Victorian beliefs; among them was Oscar Wilde. He composed a philosophical fictional novel, The Picture of Dorian Gray, that serves as a contradictory model against Victorianism for the sake of art.…