As we see in Alan G. Artner’s article “Chicago’s Picasso Sculpture” (Source #3), the art will always come back even if it is rejected and even torn down. That familiarity will always be there from the point the piece of public art was put there till the end of time. No matter what happens to the piece of art itself and how much people dislike it, it will remain significant in the community. Even though the city of Chicago took down the piece of art “countless reproductions that bred familiarity” were made and were “the first step toward love” of the piece of art (Source #3: Article “Chicago’s Picasso Sculpture”). This proves that even if they don’t like the statue, they will come to like it or be familiar with it later on. All it takes is
As we see in Alan G. Artner’s article “Chicago’s Picasso Sculpture” (Source #3), the art will always come back even if it is rejected and even torn down. That familiarity will always be there from the point the piece of public art was put there till the end of time. No matter what happens to the piece of art itself and how much people dislike it, it will remain significant in the community. Even though the city of Chicago took down the piece of art “countless reproductions that bred familiarity” were made and were “the first step toward love” of the piece of art (Source #3: Article “Chicago’s Picasso Sculpture”). This proves that even if they don’t like the statue, they will come to like it or be familiar with it later on. All it takes is