The title of the two art pieces identifies the purpose of the …show more content…
To begin, the most obvious point of contrast between Taylor and Wolf involves the two different styles. John Taylor and Howling Wolf created their drawings ten years apart, Taylor first then Wolf. Both artists represent Indians and white men who have gathered for a meeting. While looking at the two images of Treaty Signing at Medicine Lodge Creek, each artist uses symbols to describe what they see in different ways.
Howling Wolf’s perspective of the event is from above looking down on the signing. The use crayons, pencils, and ink allowed Wolf to create a stylized, emotionally charged depiction of the scene. One can see this abstract drawing through the use of form and color. In completing his work, Wolf chose to use many hues of the color wheel incorporating mostly primary colors. This picture does not represent a visual reality, but instead, Wolf used bright colors, shapes, and forms to complete its overall abstract effect. As the eye evaluates the childlike drawing, one cannot help but consider the iconography in the portrayal of the Indians and their culture. Wolf’s use of visual images and symbols shows his profound understanding of the Indian culture. Using iconography and color, …show more content…
Taylor’s focal point centers on the group activity, giving his picture symmetry and balance. By keeping the picture compact and together an observer’s attention remains drawn into the center of the overall illustration. Accordingly, his use of the contrasting black and white indicates a representational art seeking to model the event as it might have naturally appeared. The figures are easily recognizable, and one can see a meeting is taking place. Taylor’s work certainly holds the viewers’ attention with a realistic view of the meeting. Considering the iconography, one sees Taylor showing only the most important players in his work, both white and Indian. Taylor’s drawing appears organized, structured, and detailed showing the culture of his life and times. Because Taylor depicted his characters with very similar appearances, he approached the art in an ethnocentric way, drawing from his cultural perspective. John Taylor’s ethnocentric beliefs may have contributed to the fact that he drew the Indians with weapons, with a dull appearance, and a somewhat hostile look on their faces. The fact Taylor does not illustrate the importance of the Indians in the picture shows another example of his work being ethnocentric. The composition using the black and white to draw a realistic picture brings the