Lyman, Thomas W. 1988. "The Politics of Selective Eclecticism: Monastic Architecture, Pilgrimage Churches, and Resistance to Cluny." Gesta 27, no. 1-2: 83-92. Lyman’s article does not originally appear to be useful to my project. The building in question is Romanesque style instead of Gothic and the focus is on French buildings rather than Spanish. However, these buildings are being analyzed in the context of a pilgrimage to Spain and what Lyman is doing can influence the way Spanish pilgrimage cathedrals are studied. The article aims to challenge the role historians have given Cluny in the formation of a pilgrimage style church. He looks specifically at churches along El Camino de Santiago and while he does not look at Spanish examples, both
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He looks at the cathedrals in chronological order to reveal how the earlier Burgos could have influenced Leon. When addressing each cathedral individually, Williamson takes care to look at the history of the building, making it a good source for basic background knowledge such as important dates and financial supporters. During his analysis of el Puerta del Sarmental at Burgos, Williamson argues that the design and technique suggests that workmen from Amiens also worked at Burgos. He doesn’t provide any textual evidence to support this and he also neglects to provide images of Amiens to compare; it would have been easier to see this connection if he had done so. Williamson also devotes a lot of time and effort to his discussion of ground plans, especially with regards to León and its connection to Reims, but does not provide a visual of either one. After looking at each cathedral specifically, he goes on to argue that their influence spread throughout Spain and is especially present in smaller churches across the region. In his conclusion, he states that the two cathedrals “acted as the points of entry for the importation of the mature French Gothic Style of architecture and sculpture into Spain.” However, he doesn’t really provide any solid proof of this in either visual or textual form. While his article stands as proof of the phenomenon of looking at Spanish Gothic Cathedrals as “imports,” the article does not provide any strong support for the claim and fails to address why there is a lack of
He looks at the cathedrals in chronological order to reveal how the earlier Burgos could have influenced Leon. When addressing each cathedral individually, Williamson takes care to look at the history of the building, making it a good source for basic background knowledge such as important dates and financial supporters. During his analysis of el Puerta del Sarmental at Burgos, Williamson argues that the design and technique suggests that workmen from Amiens also worked at Burgos. He doesn’t provide any textual evidence to support this and he also neglects to provide images of Amiens to compare; it would have been easier to see this connection if he had done so. Williamson also devotes a lot of time and effort to his discussion of ground plans, especially with regards to León and its connection to Reims, but does not provide a visual of either one. After looking at each cathedral specifically, he goes on to argue that their influence spread throughout Spain and is especially present in smaller churches across the region. In his conclusion, he states that the two cathedrals “acted as the points of entry for the importation of the mature French Gothic Style of architecture and sculpture into Spain.” However, he doesn’t really provide any solid proof of this in either visual or textual form. While his article stands as proof of the phenomenon of looking at Spanish Gothic Cathedrals as “imports,” the article does not provide any strong support for the claim and fails to address why there is a lack of