The characters of the play are set into a dreaded cycle of routine, meaningless days, “I’m just plain old Pelajia Rosella Patchnose and I’m here in plain, dusty, boring old Wasaychigan Hill” (Highway 2). Their menial lives are defined by the exciting, which to them is mostly gossip and bingo. Bingo is thought of just a game in regular society but for the small, restricted society of the reserve, bingo …show more content…
Highway explains the future he envisions that, “My fellow Canadians [are] searching for this new voice, this new identity, this new tradition, this magical transformation that potentially is quite magnificent. It is the combination of the best of both worlds ... combining them and coming up with something new” (Highway “Interview” 345). Nanabush embodies Highway’s vision as he is able to seamlessly change guises between the seagull, nighthawk and the Bingo Master, characters who have both Native and white cultural significance in the play. Pelajia wants to “kick start” this healing process with her desire to build paved roads from the reserve to the outside world. This is a metaphor for the building of bridges between Native culture and white culture: the idea of trying to reconstruct a fragmented