In his painting, Madonna’s fingers and nose are very long, and her lips are small (Fig 12). This version of Madonna is just very long in general. If she were to stand up, she would be very tall and elongated, which gives her a very regal look, or she is rather a representation of an ideal heavenly form because she has a dainty look to her. (Callie’s Blog) In Giotto’s Painting of Madonna, she is depicted much bulkier, and she has a real monumental value to her because of his use of shapes and shading (Fig. 13). She is also just larger proportions-wise compared to Cimabue’s painting. This projects a more, realistic and human
In his painting, Madonna’s fingers and nose are very long, and her lips are small (Fig 12). This version of Madonna is just very long in general. If she were to stand up, she would be very tall and elongated, which gives her a very regal look, or she is rather a representation of an ideal heavenly form because she has a dainty look to her. (Callie’s Blog) In Giotto’s Painting of Madonna, she is depicted much bulkier, and she has a real monumental value to her because of his use of shapes and shading (Fig. 13). She is also just larger proportions-wise compared to Cimabue’s painting. This projects a more, realistic and human