These films exposed Italy’s relevant social issues, like the consequences of resistance, war, poverty, and unemployment(Diva). Prior to the screening of Mamma Roma, Pasolini wanted to depict Italy’s true intention towards its people, particularly the working class, and desired this realization to be seen by his audiences. After producing his film Mamma Roma, he lost faith in humanist beliefs, and opposed the adoption of humanism because it would destroy Italy’s civilization(Ferullo). Pasolini exposes the inner rebellion of social communities, and especially that of the working class against the upper bourgeoisie(Wark). In the beginning of the film, Mamma Roma made her first arrival by leading pigs and ridiculing Italy's
These films exposed Italy’s relevant social issues, like the consequences of resistance, war, poverty, and unemployment(Diva). Prior to the screening of Mamma Roma, Pasolini wanted to depict Italy’s true intention towards its people, particularly the working class, and desired this realization to be seen by his audiences. After producing his film Mamma Roma, he lost faith in humanist beliefs, and opposed the adoption of humanism because it would destroy Italy’s civilization(Ferullo). Pasolini exposes the inner rebellion of social communities, and especially that of the working class against the upper bourgeoisie(Wark). In the beginning of the film, Mamma Roma made her first arrival by leading pigs and ridiculing Italy's