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70 Cards in this Set
- Front
- Back
perspective
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creating the illusion of depth on a 2-D surface
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visual perspective
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simple way to create illusino of depth through process of overlapping
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atmospheric
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creating depth using diminishing value, contrast, color, and detail
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linear perspective
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uses vanishing point, horizon line, and receding parallel lines
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one point perspective
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front view, vertical lines, horizontal lines, vanishing point, CD
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two point perspective
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corner view, vertical lines, vanishing point, CD
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three point perspective
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corner view and height, vanishing point, CD
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vanishing point
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determines position and direction of sight, point where lines converge
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horizon line
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is equal to eye level
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ellipse
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foreshortened circle in perspective
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two basic assumptions of perspective
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1)objects in the distance appear smaller than those close
2)parallel lines or planes receding in the distance seem to meet at some point |
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1)objects in the distance appear smaller than those close
2)parallel lines or planes receding in the distance seem to meet at some point |
two basic assumptions of perspective
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2-D
3-D |
forms of artwork
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two dimensional
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flat artwork that creates only the illusion of depth
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two dimensional examples
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drawings, paintings, prints--have a back
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three dimensional
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artwork seen in the round, has multiple sides and actual depth
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three dimensional examples
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sculptures
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color
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a visual sensation created when light is reflected off a surface and seen by the eye
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hue, value, intensity
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three properties of color
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primary colors
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cannot be made by mixing other colors
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red, yellow, and blue
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What are the primary colors?
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secondary colors
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combination of primary colors
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green, orange, and violet
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What are secondary colors?
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tertiary/intermediate colors
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combination of primary and secondary colors
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B/G, B/V, R/O, R/V, ect.
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What are the tertiary/intermediate colors?
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hue
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actual color in the color spectrum
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intensity
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a measure of relative brightness and purity or grayness of a color; brightness or darkness of a hue
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value
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degree of lightness or darkness of a hue
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tints
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light value of a color made by adding white
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shades
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dark value of a color made by adding black
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color schemes
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plan for organizing color
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monochromatic
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gradations of one color (one hue plus its tints and shades)
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complementary
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colors that are opposite each other on the color wheel
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analogous
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colors next to each other on the color wheel that exist in groups of 3-5 colors
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neutral
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consists of white, brown, and black
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line
shape form space texture color value |
7 elements of art
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line
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a continuous mark made on the surface by a moving point
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shape
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defines space using only height and width; 2-D area confined by a line
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organic
geometric |
two types of shapes
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form
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defines space using height, width, and depth and is considered 3-D
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organic
geometric |
two types of form
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space
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defines the area in and around an object; can exist both 2-D and 3-D; positive and negative
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texture
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visual and tactile
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actual
implied |
two types of line
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color
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a visual sensation created when light is relected off the surface and seen by the eye
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value
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the lightness or darkness of a hue; creates volume and form; contrast is emphasized to help enhance depth of form
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clay
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a variety of earthy materials formed by the decomposition of granite
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leatherhard
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state of clay when clay feels cool and moist but is hard enough to hold its shape; can be carved into and clay attached to a surface. can not be modeled
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greenware
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unfired, dry clay; can be recycled with water
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bone dry
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state of clay when the unfired clay is completely dried out; very fragile
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bisque
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unglazed clay in a fired or baked state; fired once
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plastic
leatherhard greenware bone dry bisque |
stages of clay
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plastic
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the ability clay has to be flexible, yet retain its shape when formed into other shapes
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glaze
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a thin liquid coating of minerals fused to clay by firing in a kiln; when heated at a high temperature, it forms a thin, oermanent glassy surface
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kiln
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a furnace used for drying, firing, and glazing clay creations
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firing
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to expose a clay object to high heat in order to change it chemically and harden it permanently
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wedge
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kneading clay to remove air bubbles and to even the consistency of the clay
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3 methods of handbuilding
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includes pinching, coiling, and building with slabs
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pinching
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the act of squeezing plastic clay between thumb and finger to form a pot or sculpture
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coiling
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a method of forming pottery or sculputre from rolls of clay welded together to create walls
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slab method
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the use of flat pieces of clay, even in thickness, to build clay forms
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slip
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clay diluted with water to a creamy consistency and used to join two pieces of clay; liquid clay
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scoring
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to make rough indentations with a nail, pointed tool, or toothbrush as a step before adding slip to the surface to join two pieces of clay
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cubism
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broken or fractured reality; geometric shapes and forms; multiple views and perspectives shown at once
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Paul Cezanne
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"Everything in nature takes its form form the sphere,cone, and cylinder."
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Cezanne, Picasso (Spaniard), and Braque (Frenchman)
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Key Players in Cubism
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abstract
realistic non-objective |
styles of art
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abstract
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object or subject matter has been stylized or simplified rendering it possible unrecognizable
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realistic
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object or subject matter is recognizable; appears as a "real" object; sometimes it may be so "real" that it appears to be a photograph
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non-objective
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art for art sake; artwork that did not begin with a particular object or subject matter in mind; could be a study of line or color
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