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80 Cards in this Set
- Front
- Back
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Jacques-Louis David, The Funeral of Patroclus, 1778-9 |
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Jacques-Louis David, Belisarius Begging Alms, 1781 |
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Jacques-Louis David, Oath of the Horatii, 1785 |
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Jacques-Louis David, The Death of Socrates, 1787 |
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Jacques-Louis David, Antoine Lavoisier and his Wife, 1788 |
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Jacques-Louis David, Lictors Returning to Brutus the Bodies of his Sons, 1789 |
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Jacques-Louis David, The Intervention of the Sabine Women, 1799 |
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Jacques-Louis David, The Tennis Court Oath, 1791 |
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Jacques-Louis David, Death of Marat, 1793 |
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Jacques-Louis David, Death of Marat, 1793 |
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Pierre-Narcisse Guérin, The Return of Marcus Sextus, 1799 |
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Anne-Louis Girodet, Jean-Baptiste Belley, 1797 |
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Anne-Louis Girodet, The Revolt at Cairo, 1810 |
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Henry Fuseli, The Artist Moved to Despair by the Grandeur of Antique Fragments, 1778-79 |
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Henry Fuseli, The Nightmare, 1781 |
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Henry Fuseli, The Nightmare, c. 1790-1. |
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Henry Fuseli, two drawings of Prometheus, c. 1790s |
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Henry Fuseli, two drawings of Prometheus, c. 1790s |
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William Blake, Glad Day (Albion Rose), 1780, 1794-5. |
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William Blake, Urizen in Chains,(Plate from The Book of Urizen), 1794 |
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William Blake, Ancient of Days (Frontispiece, Europe a Prophecy), 1794 |
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William Blake, plate from The Book of Urizen, 1794 |
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William Blake, Newton, 1795 |
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William Blake, plate from Jerusalem, 1804-20 |
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William Blake, Songs of Innocence and Experience (Frontispiece), and (“The Tyger”), 1789 |
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William Blake, Songs of Innocence and Experience (Frontispiece), and (“The Tyger”), 1789 |
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Francisco Goya, Don Sebastián Martínez y Pérez, 1792 |
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Francisco Goya, Madhouse, 1812-19 |
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Francisco Goya, The Miracle of St. Anthony, 1798 |
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Francisco Goya, The Miracle of St. Anthony, 1798 (Details) |
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Francisco Goya, The Miracle of St. Anthony, 1798 (Details) |
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Francisco Goya, The Grape Harvest, 1786 |
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Francisco Goya, The Grape Harvest, 1786 |
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Francisco Goya, Family of Carlos IV, 1800-01 |
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Francisco Goya, Family of Carlos IV, 1800-01 |
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Francisco Goya, What a Gold Beak!, 1799 (Los Caprichos series) |
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Francisco Goya, And So Was his Grandfather, 1799 (Los Caprichos series) |
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Francisco Goya, Of What Will He Die?, 1799 (Los Caprichos series) |
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Francisco Goya, What a Sacrifice!, 1799 (Los Caprichos series) |
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Francisco Goya, The Sleep of Reason, 1799 (Los Caprichos series) |
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Francisco Goya, The Second of May, 1808, 1814. |
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Francisco Goya, The Third of May, 1808, 1814. |
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Goya, prints from The Disasters of War, 1810-1820 |
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Goya, prints from The Disasters of War, 1810-1820 |
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Goya, prints from The Disasters of War, 1810-1820 |
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Goya, prints from The Disasters of War, 1810-1820 |
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Francisco Goya, The Royal Company of the Philippines, 1815 |
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Francisco Goya, The Forge, c. 1819 |
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Francisco Goya, The Knife Grinder, c. 1808-12 |
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Jacques-Louis David, Bonaparte Crossing the Saint Bernard Pass, 1800 |
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Jacques-Louis David, The Emperor in His Study at the Tuileries, 1812 |
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Antoine-Jean Gros, Napoleon Visiting the Plague House at Jaffa, 1804 |
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Antoine-Jean Gros, Battle of Eylau, 1808 |
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Antoine-Jean Gros, Battle of Eylau, 1808 |
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Antoine-Jean Gros, Battle of Eylau, 1808 |
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Théodore Géricault, Charging Chasseur, 1812 |
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Théodore Géricault, Wounded Cuirassier, 1814 |
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Géricault, Retreat, 1818 |
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Géricault, Cart of Wounded, 1818 |
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Géricault, Swiss Guard at the Louvre, 1819 |
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Théodore Géricault, Cattle Market, 1817 |
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Théodore Géricault, Alfred Dedreux as a Child,1814. |
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Théodore Géricault, Raft of the Medusa, 1818-19 |
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Théodore Géricault, Raft of the Medusa, 1818-19 (detail) |
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Théodore Géricault, study for Raft of the Medusa, c. 1818 |
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Théodore Géricault, Raft of the Medusa (Study), 1818-19 |
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Théodore Géricault, Raft of the Medusa, 1818-19 |
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Théodore Géricault, The Lime Kiln, 1821-1823 |
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Théodore Géricault, Coal Wagon, 1821-1823 |
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Théodore Géricault, Beer Cart and Brewery, 1821-1823 |
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Théodore Géricault, Entrance to Adelphi Wharf, 1821-1823 |
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Théodore Géricault, Decapitated Heads, c. 1818 |
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Théodore Géricault, Kleptomaniac, 1822 |
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Théodore Géricault, Gambling Addict, 1822 |
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Théodore Géricault, Portrait of Insane Woman c.1822 |
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Théodore Géricault, Portrait of Insane Man, c.1822 |
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John Constable, Goulding Constable’s Flower Garden, 1815 |
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John Constable, The Hay Wain, 1821 (Originally titled Landscape: Noon) |
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John Constable, Various Cloud Studies, 1820s-30s |
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John Constable, The Cenotaph, 1836 |