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97 Cards in this Set
- Front
- Back
- 3rd side (hint)
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- Watteau
- L'Indifferent - Rococo - c 1716 (1700) |
Three facts:
- Poetic style, wistfullness - Pastel colors are Rococo - Smaller, more intimate |
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- Watteau
- Return from Cythera - Rococo - c 1717 (1700) |
Three facts:
- Fetes Galantes - courtly picnic - ^ category ^ created for Watteau - Impasto in painted figures |
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- Boucher
- Cupid, A Captive - Rococo - c 1754 (1750) |
Three facts:
- More prozaic, not poetic - "Age of Sensibility" - Quintessential Rococo artist |
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- Fragonard
- The Swing - Rococo - c 1767 (1750) |
Three facts:
- Colors are smoother/quieter - Patron-commissioned work - Relaxed, lighthearted |
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- Chardin
- Grace at the Table - Naturalism - c 1740 (1750) |
Three facts:
- Genre scene - Domestic simplicity - Muted colors, subdued browns |
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- Greuze
- The Village Bride - Naturalism - c 1761 (1750) |
Three facts:
- Too emotional - Non-commissioned work - More relatable |
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- Gainsborough
- Mrs. Sheridan - Naturalism - c 1785 (1800) |
Three facts:
- Rich people ~~ Aristocrats - Serious portraiture - Pastel colors, wispy trees |
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- Copley
- Paul Revere - American Realism - c 1768 (1750) |
Three facts:
- Lighter brushstroked - Black background, dramatic contrast - More formal than European counterparts |
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- David
- Oath of the Horatii - Neoclassicism - c 1784 (1800) |
Three facts:
- Stoic statement - form expresses content - Classical because self-contained - Rational, objective |
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- David
- Death of Marat - Neoclassicism - c 1793 (1800) |
Three facts:
- Marat is heroic, Christ-like - Neoclassical because implied horizontals/verticals - Position of arm, similar to Rogier Van der Weyden's Descent. |
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- Benjamin West
- Death of General Wolfe - Neoclassicism - c 1770 (1750) |
Three facts:
- Classical because self-contained - Analogy to Descent from the Cross - MAYBE Romantic because of suggested background |
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- Fuseli
- Nightmare - Romanticism - c 1781 (1800) |
Three facts:
- Subjective, stronger emotions - Night mare, horse is a mare - Romanticism, attitude not style |
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- Goya
- The Dream/Sleep of Reason - Romanticism - c 1794 (1800) |
Three facts:
- Fairly small print - "Sleep of reason produces monsters" - Cat represents scary monster |
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- Gros
- The Pest House - Romanticism - c 1804 (1800) |
Three facts:
- Theatrical setting - Mysterious unclear background - Set in Jaffa |
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- Trioson
- The Burial (of Atala) - Romanticism - c 1808 (1800) |
Three facts:
- Sharply outlined contours - Dramatic contrast of light and dark - Exotic (North America) |
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- Gericault
- Raft of the Medusa - Romanticism - c 1818 (1800) |
Three facts:
- Contemporary topic - Unstable triangles add to chaos - Interviewed real survivors to capture true emotions |
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- Gericault
- The Insane Woman - Romanticism - c 1822 (1800) |
Three facts:
- Bravura - showy, rapid idea - Loose unblended brushstrokes - Likes expressing crazy emotions |
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- Delacroix
- The Death (of Sardanapalus) - Romanticism - c 1826 (1850) |
Three facts:
- Based on poem by Lord Byron - No fusing of colors - Similar to Rubens, red colors |
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- Delacroix
- Liberty Leading the People - Romanticism - c 1830 (1850) |
Three facts:
- Allegorical painting of Liberty - Not about French Revolution - Suggestion of battle is Romantic |
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- Ingres
- Odalisque - Romanticism - c 1814 (1800) |
Three facts:
- Odalisque means Harem Woman - Subject matter is Romantic - Distortion of human body is Romantic |
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- Goya
- The Third of May (May 3) - Romanticism - c 1814 (1800) |
Three facts:
- Commissioned by French government - Innocence is exaggerated via brightness - Strong emotions |
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- Goya
- Saturn Devouring his Children - Romanticism - c 1819 (1800) |
Three facts:
- Goya painted this on his wall - Eyes bulge with a /purpose/ of craziness - Inspired by Rubens |
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- Friedrich
- Abbey in an Oak Forest - Romanticism - c 1810 (1800) |
Three facts:
- Nationalism - German's felt this was THEIR style - Political commentary on Nationalism crashing. - Albeit precise, landscape's Romantic. |
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- Constable
- The Haywain - Romanticism - c 1821 (1800) |
Three facts:
- "Six Footers" - Dashes of white lines, optical illusions - Idealized England |
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- Turner
- The Slaveship - Romanticism - c 1839 (1850) |
Three facts:
- Blood red of skies conveys nature is superior to man - Represent's Turner's reaction to Industrial Revolution - Allegory against exploitation of slaves |
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- Cole
- The Oxbow - Romanticism - c 1836 (1850) |
Three facts:
- Confrontation between wilderness and civilization - Romantic because sublime/awesome - Jewish letters upside down in background, shaddai - The Almighty |
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- Bierstadt
- Sierra Nevada - Romanticism - c 1868 (1850) |
Three facts:
- Luminosity - fine brushwork for gradations of light - Manifest destiny - Idealizes his scenes |
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- Courbet
- The Stone Breakers - Realism - c 1849 (1850) |
Three facts:
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- Millet
- The Gleaners - Realism - c 1850 (1850) |
Three facts:
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- Daumier
- Third Class Carriage - Realism - c 1862 (1850) |
Three facts:
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- Manet
- Luncheon on the Grass - Realism - 1863 (1850) |
Three facts:
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- Eakins
- The Gross Clinic - Realism - c 1875 (1850) |
Three facts:
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- Millais
- Ophelia - Pre-Raphaelite - c 1852 (1850) |
Three facts:
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- Monet
- Impression Sunrise - Impressionism - 1872 (1875) |
Three facts:
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- Monet
- Rouen Cathedral - Impressionism - c 1894 (1875) |
Three facts:
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- Renoir
- Moulin - Impressionism - 1876 (1875) |
Three facts:
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- Degas
- Ballet (Rehearsal) - Impressionism - 1876 (1875) |
Three facts:
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- Degas
- The Tub - Impressionism - c 1886 (1875) |
Three facts:
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- Whistler
- Arrangement in Gray and Black - American - c 1880 |
Three facts:
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- Seurat
- Sunday Afternoon - Post Impressionism / Formalism - c 1884 (1900) |
Three facts:
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- Cezanne
- Mont Ste. Victoire - Post Impressionism / Formalism - c 1894 (1900) |
Three facts:
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- Cezanne
- Mont Ste. Victoire - Post Impressionism / Formalism - c 1894 (1900) |
Three facts:
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- Cezanne
- Still Life - Post Impressionism / Formalism - c 1895 (1900) |
Three facts:
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- Van Gogh
- The Night Cafe - Post Impressionism / Expressionism - c 1888 |
Three facts:
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- Van Gogh
- Starry Night - Post Impressionism / Expressionism - c 1889 (1900) |
Three facts:
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- Munch
- Scream - Post Impressionism / Expressionism - c 1893 (1900) |
Three facts:
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- Gauguin
- Vision After The Sermon - Post Impressionism / Expressionism - 1888 (1900) |
Three facts:
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- Toulouse - Lautrec
- At The Moulin Rouge - Post Impressionism / Expressionism - c 1892 (1900) |
Three facts:
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- Rousseau
- The Sleeping Gypsy - Primitive - c 1897 (1900) |
Three facts:
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- Rodin
- The Thinker - Post-Impressionism - c 1879 (1900) |
Three facts:
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- Boffrand
- Princess Salon - Rococo Architecture - c 1732 (1750) - Paris |
Three facts:
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- Vignon
- La Madelein - Neoclassicism - 1807 (1800) - Paris |
Three facts:
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- Lord Burlington or Boyle
- Chiswick - Neoclassicism - 1725 (1750) - Chiswick |
Three facts:
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- Robert Adam
- Osterley Park - Neoclassicism - 1761 (1750) - Osterly Park |
Three facts:
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- Thomas Jefferson
- Monticello - Neoclassicism - c 1770 (1750) - Monticello |
Three facts:
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- Sir Charles Barry
- Houses of Parliament - Gothic Revival - c 1840 (1850) - London |
Three facts:
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- Garnier
- The Opera - Neo-Baroque - c 1861 (1850) - Paris |
Three facts:
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- Paxton
- The Crystal Palace - Nineteenth Century - 1850 (1850) - London |
Three facts:
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- Eiffel
- Eiffel Tower - Nineteenth Century - 1889 (1900) - Paris |
Three facts:
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- Sullivan
- Guaranty Building - Nineteenth Century - c 1894 (1900) - Buffalo, New York |
Three facts:
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- Canova
- Pauline - Neoclassicism - c 1808 (1800) |
Three facts:
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- Rodin
- The Burghers of Calais - Post-Impressionism - c 1884 (1900) |
Three facts:
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- Dali
- Persistance of Memory - Surrealism - 1931 (1950) |
Three facts:
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- Oppenheim
- Object - Surrealism - 1936 (1950) |
Three facts:
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- Kandinsky
- Improvisation - Non-Objective - c 1912 (1900) |
Three facts:
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- Mondrian
- Composition with Red, Yellow, Blue - De Stijl - 1930 (1950) |
Three facts:
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- Picasso
- Guernica - Surrealism - 1937 (1950) |
Three facts:
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- Lawrence
- Migration of the Negro - Lawrence - c 1940 (1950) |
Three facts:
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- Hopper
- Nighthawks - Realism - c 1942 (1950) |
Three facts:
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- Brancusi
- Bird - Abstraction - c 1927 (1925) |
Three facts:
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- Moore
- Reclining Figure - Abstraction - c 1939 (1925) |
Three facts:
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- Gabo
- Column - Constructivism - c 1922 (1925) |
Three facts:
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- Calder
- Lobster Trap - Constructivism - c 1939 (1925) |
Three facts:
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- Gaudi
- Casa Mila - Art Nouveau - c 1905 (1900) - Barcelone |
Three facts:
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- Tony Smith
- Die - Minimalism - c 1962 (1950) |
Three facts:
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- David Smith
- Cubi - Minimalism - 1964 (1950) |
Three facts:
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- Beuys
- How to Explain (Pictures to a Dead Hare) - Performance Art - c 1965 (1975) |
Three facts:
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- Mendieta
- Self Portrait - Performance Art - 1977 (1975) |
Three facts:
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- Hanson
- Shopper - Pop Art - c 1970 (1975) |
Three facts:
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- Frank Lloyd Wright
- The Robie House - International Style - c 1909 (1925) - Chicago |
Three facts:
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- Frank Lloyd Wright
- Falling Water - International Style - 1936 (1925) - Pennsylvania |
Three facts:
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- Francis Bacon
- Painting - Figurative - 1946 (1950) |
Three facts:
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- Jackson Pollock
- Number 1 - Abstract Expressionism - c 1950 (1950) |
Three facts:
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- DeKooning
- Woman - Abstract Expressionism - c 1950 (1950) |
Three facts:
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- Rothko
- Red and Blue - Color Field - c 1960 (1950) |
Three facts:
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- Newman
- Vir Heroicus Sublimus - Color Field - c 1950 (1950) |
Three facts:
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- Kelly
- Red, Green, Blue - Color Field - c 1963 (1950) |
Three facts:
- Also called Hard Edge Abstraction - - |
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- Hamilton
- Today's Homes - Pop Art - c 1956 (1950) |
Three facts:
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- Warhol
- Marilyn - Pop Art - c 1962 (1950) |
Three facts:
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- Johns
- Flag - Pop Art - c 1954 (1950) |
Three facts:
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- Rauschenberg
- Canyon - Pop Art - 1959 (1950) |
Three facts:
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- Lichtenstein
- Hopeless - Pop Art - c 1962 (1950) |
Three facts:
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- Flack
- Marilyn - Pop Art - c 1977 (1975) |
Three facts:
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- Kruger
- Untitled - Feminism - 1983 (1984) |
Three facts:
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- Tansey
- A Short History of Painting - Post-Modern - c 1982 (2000) |
Three facts:
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- Ofili
- Holy Virgin Mary - Post Modern - 1996 (2000) |
Three facts:
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- Giacometti
- Man Pointing - Figurative - 1947 (1950) |
Three facts:
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