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65 Cards in this Set
- Front
- Back
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Jean-Antoine Watteau, The Signboard of Gersaint, c. 1721 |
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John Smibert, Dean Berkeley and His Entourage (The Bermuda Group), 1729 |
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Jean‐Honoré Fragonard, The Swing, 1766 |
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Jacques-Louis David, Oath of the Horatii, 1784 |
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Anton Raphael Mengs, Parnassus, 1761 |
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Angelica Kauffmann, Cornelia Pointing to Her Children as Her Treasures c.1785 |
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Benjamin West, The Death of General Wolfe, 1770 |
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John Singleton Copley, Watson and the Shark, 1778 |
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John Henry Fuseli, The Nightmare, 1781 |
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Antoine-Jean Gros Napoleon in the Plague House at Jaffa, 1804 |
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Jean-Auguste-Dominique Ingres, Large Odalisque, 1814 |
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Louis-Jacques-Mandé Daguerre, The Artist’s Studio, 1837 |
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Francisco Goya, Third of May, 1808 |
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Théodore Géricault, The Raft of the “Medusa”, 1818-1819 |
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Eugène Delacroix, Liberty Leading the People, July 28, 1830, 1830 |
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Jean-Léon Gérôme, The Snake Charmer, 1879 |
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Joseph Mallord William Turner, Slavers Throwing Overboard the Dead and Dying— Typhoon Coming On (“The Slave Ship”), 1840 |
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Honoré Daumier, Rue Transnonain, Le 15 Avril 1834, 1834 |
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Gustave Courbet, A Burial at Ornans, 1849 |
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Jean-Francois Millet, The Gleaners, 1857 |
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Édouard Manet, Olympia, 1863 |
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Édouard Manet, A Bar at the Folies-Bergère, 1882 |
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Claude Monet, “Impression: Sunset,” 1872 |
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Edgar Degas, “The Rehearsal on Stage,” c.1874 |
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Mary Cassatt, Mother and Child, 1890 |
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Henry Ossawa Tanner, The Banjo Lesson, 1893 |
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James Abbott McNeill Whistler, Nocturne in Black and Gold, the Falling Rocket, 1875 |
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Paul Cezanne, Mont Sainte-Victoire, 1885 |
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Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte, 1884 |
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Paul Gauguin, Manao Tupapau (Spirit of the Dead Watching), 1892 |
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Auguste Rodin, The Burghers of Calais, 1884–1889 |
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Henri Matisse, “Le Bonheur de Vivre,” 1905-1906 |
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Pablo Picasso, Les Demoiselles d’Avignon (The Young Ladies of Avignon) 1907 |
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Georges Braque, Violin and Palette, 1909-‐‐1910 |
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Umberto Boccioni, Unique Forms of Continuity in Space, 1913 |
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Marcel Duchamp, Fountain, 1917 |
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Hannah Höch, Cut with the Dada Kitchen Knife Through the Last Weimar Beer-‐‐Belly(Cultural Epoch in Germany), 1919 |
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Meret Oppenheim, Object (Luncheon in Fur), 1936 |
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Salvador Dali, The Persistence of Memory, 1931 |
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Joan Miro, Composition, 1933 |
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Jackson Pollock, Autumn Rhythm (number 30), 1950 |
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Willem de Kooning, Woman I, 1950-1952 |
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Helen Frankenthaler, Mountains and Sea, 1952 |
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David Smith, Cubi, 1963-1964 |
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Jasper Johns, Target with Plaster Casts, 1955 |
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Robert Rauschenberg, Canyon, 1959 |
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Allan Kaprow, Yard, 1961 |
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Carolee Schneemann, Meat Joy, 1964 (performance) |
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Andy Warhol, Marilyn Diptych, 1962 |
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Claes Oldenburg, The Store, 1961 |
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Carl Andre, Steel-Magnesium Plain, 1969 |
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Joseph Kosuth, One and Three Chair, 1965 |
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Bruce Nauman, Self Portrait as a Fountain, 1966-1967 |
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Eva Hesse, “Rope Pieces” 1969-1970 |
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Robert Smithson, Spiral Jetty, 1970 |
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Betye Saar, The Liberation of Aunt Jemima, 1972 |
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Ana Mendita, Untitled, From the Tree of Life Series, 1977 |
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Cindy Sherman, Untitled Film Still #21, 1978 |
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Barbara Kruger, Untitled (Your Gaze Hits the Side of My Face), 1981 |
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James Luna, The Artifact Piece, 1987-1990 |
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Felix Gonzalez, Untitled (Loverboy), 1990 |
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Chris Ofili, The Holy Virgin Mary, 1996 |
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Yinka Shonibare, MBE, How to Blow up Two Heads at Once (Ladies) 2006 |
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Nam June Paik, Electronic Superhighway: Continental US 1995 |
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Sarah Sze Triple Point, 2013 Venice Biennial |