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8 Cards in this Set
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God as Creator of theWorld, 1220-1230 -Moralized French Bible -God in the process of creating the world -not typical creation story, God uses geometry |
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Nicola Pisano, Annunciation relief panel, 1259 -Marble,angel coming down to tell Mary shes pregnant, copy naturalistic forms ofancient roman art -“Fatherof renaissance” -similar to roman architecture |
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Giotto, Arena Chapel, 1305 -fresco, window looking into the world, foreshortening, shading-folds -temporality- specific movement -Naturalistic, individuals, figures generated space, figures tacked appear father, rock wall creates line to jesus (in one of the frescos) |
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Masaccio, Holy Trinity, 1424 -Painting that looks like a sculpture -Linear perpective -Orthogonal- lines that converge at a right angle to the picture -Vanishingpoint- lines of architecture meet at point that appears to be gone (ex. Train trakcs), mimicking a visualexperience |
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Michelangelo, David, 1501 -Not as rational as Leonardo, more about beauty -Large ass hands -Usedhis hands to use slingshot to defeat enemy- expressing his unexpected powerfrom his hands -Hellenistic emotion |
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Breughel, NetherlandishProverbs, 1559 -Senseof what it was like to live in northern Europe in 16th cent. -Usessetting to illustrate proverbs/sayings of the time -“to beat ones head against the wall” “shortsidedness” “kissa pole”- be hypocritical -lessserious |
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Caravaggio, Conversion of Saint Paul -Light/symbolism -Conversionscene -St Paulfalls down in inspiration when he converts -perspective, chiaroscuro, and dramatic lighting |
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Vermeer, Allegoryof the Art of Painting -Knownfor documenting landscapes -Alsointerior scenes- precise and reproduction of detail -Middleclass people having precise interactive moment -He mayhave used camera obscura |