The dynamics in this song alternated a couple times between pianissimo and fortissimo. The tempo of this song was a faster than the usually slow speed I usually this song played in. The melody was repeated with some variations. The solo by Brian Robertson in this piece had a sad sound because of all the minor keys he hit with a combination of playing softly. Overall, this piece was soothing and nice to listen to and got a big applause from the audience. “Hotline Bling” by Drake had a mesh of polyphonic and homophonic textures and a lively tempo. This cover piece another beautifully performed piece by Karina Iglesias & the Nu-Thang. The tempo alternated between accelerando and ritardando a couple of times. The dissonant chords that were used resolved and were played at a slower tempo than the chorus. The mutes were timed perfectly with the rhythm. I liked this cover piece because the clarity and harmony between all the instruments
The dynamics in this song alternated a couple times between pianissimo and fortissimo. The tempo of this song was a faster than the usually slow speed I usually this song played in. The melody was repeated with some variations. The solo by Brian Robertson in this piece had a sad sound because of all the minor keys he hit with a combination of playing softly. Overall, this piece was soothing and nice to listen to and got a big applause from the audience. “Hotline Bling” by Drake had a mesh of polyphonic and homophonic textures and a lively tempo. This cover piece another beautifully performed piece by Karina Iglesias & the Nu-Thang. The tempo alternated between accelerando and ritardando a couple of times. The dissonant chords that were used resolved and were played at a slower tempo than the chorus. The mutes were timed perfectly with the rhythm. I liked this cover piece because the clarity and harmony between all the instruments