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53 Cards in this Set
- Front
- Back
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Donatello, David with the Head of Goliath, ca.1430-32 |
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Sandro Botticelli, Primavera, ca. 1478,tempera on panel |
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Botticelli, The Birth of Venus, ca. 1478 Coming out of the water Other goddesses are surrounding her Covering pubic area, trying to cover her with cloak |
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Botticelli, The Story of Nastagio degli Onesti (four panels), ca. 1483 oil on panel and tempera on panel No matter what she is always killed because she refuses to marry him |
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Botticelli, The Story of Nastagio degli Onesti (four panels), ca. 1483, oil on panel and tempera on panel No matter what she is always killed because she refuses to marry him |
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Botticelli, The Story of Nastagio degli Onesti (fourpanels), ca. 1483 Oil on panel and tempera on panel Celebration at end because she finally agrees to marry him |
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Botticelli, The Story of Nastagio degli Onesti (fourpanels), ca. 1483 oil on panel and tempera on panel No matter what she is always killed because she refuses to marry him |
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Michelangelo, David, 1501-04 |
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Baccio Bandinelli, Self Portrait with drawing of Hercules and Cacus, ca. 1545 |
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BenvenutoCellini, Perseus with the Head of Medusa,1545-53 |
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Michelangelo, Sistine Chapel ceiling, 1508-1512, |
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The Creation of Adam Sistine Chapel |
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The Creation of Eve Sistine Chapel |
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The Fall and Expulsion Sistine Chapel |
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The Libyan Sibyl Sistine Chapel |
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The three ignudi Sistine Chapel |
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The three ignudi Sistine Chapel |
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The three ignudi Sistine Chapel |
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Michelangelo,study of a reclining male nude for The Creation of Adam, 1511 |
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Michelangelo, Last Judgment on altar wall, Sistine Chapel, 1535-41 |
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Albrecht Dürer, Adam and Eve, 1504, |
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Jan van der Straet, The Practice of the Visual Arts, 1573 |
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Johan Joseph Zoffany, Academicians of the Royal Academy, 1771-72 |
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Albrecht Dürer, Four Naked Women, 1497 |
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Giorgione, The Tempest, before 1507 |
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Giovanni Bellini, Feast of the Gods, 1514 |
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Titian, Bacchanal of the Andrians, 1518 |
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Giorgione and/or Titian, Sleeping Venus, ca. 1510 |
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Titian, Venus of Urbino, 1538 |
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Zacchia il Vecchio after Fra Bartolomeo, Saint Sebastian, 1526 |
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Jan Gossaert, Danaë,1527 |
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Annibale Carracci and workshop, The Triumph of Bacchus and Ariadne inthe Farnese Gallery, 1597-1608 |
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Agnolo Bronzino, Portrait of Cosimo I de’Medici as Orpheus, ca. 1537-39 |
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Bronzino, Portrait of Andrea Doria as Neptune, ca. 1530-40 |
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Giambologna (Jean de Boulogne), The Abduction of the Sabine Women,1574-82 |
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Gian Lorenzo Bernini, Apollo and Daphne, 1622-25 |
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Pieter PaulRubens, The Elevation of the Cross,ca. 1610-11 |
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Rubens, The Judgment of Paris, 1639 |
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Rembrandt vanRijn, Bathsheba at her Bath, 1654 |
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François Boucher, Diana Leaving Her Bath, 1742 |
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Théodore Géricault, The Raft of the Medusa, 1818-19 |
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Eugène Delacroix, The Death of Sardanapalus, 1827e |
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Édouard Manet, Dejeuner sur l’herbe (Luncheonon the Grass), 1863 |
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Manet, Olympia, 1863 |
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Guerilla Girls, Do women have to be naked…? 1989 and 2011 |
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Paul Gauguin, The Spirit ofthe Dead Watching, 1892 |
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Paula Modersohn-Becker, Self-portraitwith Amber Necklace, 1906 |
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Erich Heckel, Fränzi, 1911 |
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Pablo Picasso, LesDemoiselles d’Avignon, 1907 |
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Egon Schiele, Male Nude (Self-Portrait) I,1912, |
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Sally Mann, The Perfect Tomato, 1990, gelatin silver print |
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Robert Mapplethorpe,Jesse McBride, 1976, gelatin silver print |
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Robert Mapplethorpe, Self-Portrait with Whip, in the X portfolio, 1978 |
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