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46 Cards in this Set

  • Front
  • Back
Origin of Buddhist Art in Nepal and Tibet
Northern India Buddhist/Hindu Temples destroyed by Muslim 11th-12th century

Monks Fled to Nepal - Moved through Himalayas to Tibet

Created Tantric/Vajrayana Buddhism
Tantric or Vajrayana Buddhism
Vajrayana: the diamond vehicle

Bon (native Tibetan mystical religion) + Mahayana Buddhism w/ complex pantheon of deities

Created by Tibetan Buddhist Monks

varied in different isolated valleys/ monastic establishments
Lamas
revered local leaders

interpreted Buddhist ideas
Lamaist Beliefs
believed individual can awake Buddha spirit within and achieve enlightenment within lifetime
Lamaist effect on Art
Art became important aid in time shortened quest
Tibetan Art Origins
received its style from northern India and Nepal

drew from decorative arts of China/Central Asia to create distinct style
Thangkas
rolled up cloth

represented important authority figures (political leaders, revered teachers, lamas, bodhisattvas and Buddha)

preserved Gupta/Ajanta style painting
Images on Thangka
Tibetans believed the subjects were joined w/their images

must represent authority of depicted figure

shown frontally in authoritative position surrounded by symmetrical composition of attendants/religious symbols

had to appear greater than those around it (Hieratic)
Manjushri
high ranking bodhisattva

symbol of wisdom

Often shown w/ 2 or 4 arms, sword to cut through ignorance or Sutra of Transcendent Wisdom

Dwelt in heavenly Pure Land
Thangka of Manjushri Appearance
Enthroned in yogi (cross-legged) position

Sits on multiplatform flanked by 2 smaller temples

Additional Manjushris above/below temple w/ 4 or 2 arms wielding sword
Careful balance of Thangka of Manjushri composition reflects...
Tibetan Buddhist emphasis on order, balance and harmony in cosmology

Careful manner in construction of hierarchy of Buddhist figureheads
Lotus Blossom in Thangka of Manjushri symbolizes...
purity

dwelt in heavenly Pure Land
Effect of thangkas on depicted historical subject
elevated them to semi divine status
Dalai Lamas in Tibetan art
given authority/power to lead followers to enlightenment made them important icons in Tibetan art
The 5th Dalai Lama
allied w/Mongols

unified Tibet

consolidated all political and religious power

expressed his triumphs in series of hilltop monasteries
Potala monastery-palace history
incorporated earlier buildings w/ wall paintings dating to 8th century
Basic building form used in Potala monastery-palace
topographical demands=no mandala plan

time honored Tibetan system of construction derived from traditional farmhouse

rectangle
tapered/whitewashed walls of sunbaked brick
narrow windows
interior column supports
enclosed courtyard
Tomb of the 5th Dalai Lama
located in atrium, in the red palace, at Potala

became religious center of all tibet
Roof treatment at Potala monastery-palace
covered in emblems:
Wheel of the Law
Deer (from Buddhas first sermon)
Finials in the form of mythical creatures
Powerful simplicity of The Potala monastery-palace expresses
political and spiritual power of the Dalai Lama

austerity of life in harsh Himalayan Climate

all while preserving the look of Tibetan folk architecture
Traditional Buddhist Mandala Plan
tall central temple (symbolizing Mt Meru)
surrounded by lower temples (symbolizing Buddhist cosmos)
Origin of Buddhism in Sri Lanka
Legend: Son+Daughter of Ashoka carried Buddhism to Sri Lanka in late 3rd century

remained stronghold of HINAYANA Buddhism
Buddha's Journey to Sri Lanka
Buddha visited Sri Lanka 3 times

Clippings of Bodhi tree still grow in Sri Lanka
Sri Lankan Style of Art
painters and sculptors made use of free flowing lines

gave work energetic qualities
Parakrama Bahu I
ruled 1153-86

last great monarch

period of greatest artistic activity
Ananda Attending the Parinirvana of the Buddha
Ananda (Buddhas favorite disciple) attends Buddha's nirvana

depicts life of Shakyamuni
Distinctive Sri Lankan Style in Ananda Attending the Parinirvana of the Buddha
Buddha reclines- narrow folds in his sanghati/lines around shoulder, down his arm and hip retain energy and movement

gracefulness became important element in Southeast Asian Buddhist art
Depiction of Ananda in Ananda Attending the Parinirvana of the Buddha
calm Sri Lankan face signifies higher level of understanding
Ananda Attending the Parinirvana of the Buddha compared to Parinirvana of Ghandara
Lies on right side

robes are heavier

other figures are western in features/clothing/mannerisms
Buddhist art in Pagan
flourished from 9th-13th century

ceased post Chinese/Siamese invasion under Kubilai Khan

roughly 2000 Buddhist temples in Pagan
The Ananda Temple Appearance
plan shows square like core w/labyrinth of passageways

Jataka panels decorate the outside

Solid block of masonry in heart of cruciform terrace platform
framed by 4 colossal statues of Buddha facing all directions

white stucco, brick, and gilded
Jatakas along outside of The Ananda Temple
illustrate the entry point of understanding how we should live
Plan of the Ananda Temple
suggests mandada at work

tall central spire w/smaller towers on corners of terraces
Source of the cruciform plan of the Ananda Temple
Brahmanic architecture of nearby Bengal, India
Cruciform plan in Indonesia
underwent considerable modifications when used in construction of stupa at Borobudur
History of Stupa at Boroburdur
Island of Java, Indonesia

Origin obscure
believed to be constructed around 800 CE
not known to outside world until 19th century
Stupa at Boroburdur Appearance
built over crest of small hill

408x408x105

decorated w/ 10 miles of relief sculptures in open air galleries

stairway bisecting all sides in cardinal directions

9 levels
Meaning of Base and First 5 levels of Stupa at Boroburdur
rectangular

represent terrestrial world
Ground Level and 3 Uppermost Levels of Stupa at Boroburdur
Reliefs illustrate plight of mankind moving through endless reincarnation cycles

represents celestial realm
Base and first 5 levels of Stupa at Boroburdur
walls show scenes from Buddha's life taken from jatakas and sutras
Sutra
cleverly worded statement or collection of aphorisms in form of a manual)
Karmayibhanga
East facade of Stupa at Boroburdur

caring for someone who's sick
The Ugly, Deformed one
on Stupa at Boroburdur

what happens when you disobey your parents
3 Upper levels of Stupa at Boroburdur
no longer wedged between walls

supports 72 perforated stupas, each containing dharmachackra mudra Buddha sitting in yoga position

surrounds larder central solid stupa
How is Borobudur the ultimate diagram or mandala of the Buddhist cosmos?
moving around it/ascending to summit

pilgrims relive their/Buddha's past lives

can see things to come in future

Nirvana: Ascend from the human Sphere of desire to Sphere of Form to Sphere of Formless
Symbolism of architecture + reliefs at Stupa at Boroburdur =
outline mircocosm of all earthly/heavenly existence in MAHAYANA Buddhist Philosophy

many levels but capable of being achieved in one lifetime