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21 Cards in this Set
- Front
- Back
Montage Editing |
Editing in which shots are fast paced that compresses time and conveys a lot of information |
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Hard lighting |
Long throw, hard shadows and ease control More dramatic lighting |
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Soft lighting |
Soft throw, soft shadows, more difficult to control, used in comedies and interviews |
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Color temperature |
Blue is the hottest and red is the coolest |
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High key lighting |
Soft lighting |
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Low key lighting |
Uses Hard lighting (dark tones) |
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Refraction lighting |
Using neutral density gels to control light |
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Kuleshov editing |
Showing the face of someone and what they’re looking at so the audience interprets it by how the person is looking at it |
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Diffusion lighting |
Soften hard lighting |
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Continuity editing rules |
1. 180 degree rule 2. Make sure eye lines match 3. 20mm/30 degree rule 4. Match action between shots 5. Maintain screen direction |
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30 degree rule |
The camera should move 30 degrees relative to the subject between shots of the same object |
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Deep listening |
analyzing sound and then creating meaning out of it |
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Diegetic sound |
Sound coming from the scene (person talking/walking) |
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Non diegetic |
Sound coming from a different source (narration, sound effects, mood music) |
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Shot/reverse shot |
Scene that cuts back and forth between two actors |
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Master shot |
The 2 shot that incorporates both actors |
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Electromagnetic spectrum |
Back (Definition) |
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Screen direction |
Where a person is walking that where the screen direction is |
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Headroom |
The space between a persons head and the frame |
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Lead room |
The space between a person where they are walking and the frame |
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4 panels of premier |
1. Project window 2. Source panel 3. Timeline 4. Program panel |