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56 Cards in this Set
- Front
- Back
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Girodet-Trioson, Portrait of Jean-Baptiste Belley, 1797 |
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Watteau, Pilgrimage to Cythera, 1717 |
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Watteau, Festival of Love, 1717 |
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Fragonard, The Swing, 1766 *shows fête galante, which is nobles having fun |
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Fragonard, The Meeting, 1771-73 |
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Boucher, The Toilette of Venus, 1751 |
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Boucher, The Chinese Fishing Party, 1742 |
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Boucher, Girl Reclining, 1752 |
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Boucher, The Chinese Fair, 1743 |
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Chinese Pavilion at Sans Souci for Frederick the Great, Potsdam, 1754-57 |
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Chinese Gazebo in Wilanow Park for Count Potocki, Warsaw, 1805 |
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Joseph Wright, A Philosopher Giving a Lecture at the Orrery, 1763-65 |
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Joseph Wright, An Experiment on a Bird in the Air-Pump by, 1768 |
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Jacques-Louis David, Oath of the Horatii, 1785 |
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Jacques-Louis David, The Death of Marat, 1793 *hated Rococo -> favored Classical art, more realistic themes |
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Angelica Kauffmann, Cornelia Presenting her Children as her Treasures or Mother of the Gracchi, 1785 |
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Jacques-Louis David, The Coronation of Napoleon, 1806 |
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Jean Auguste Dominique Ingres, La Grande Odalisque, 1814 |
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Jean Auguste Dominique Ingres, Princesse de Broglie, 1853 |
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Jean Auguste Dominique Ingres, Comtesse d'Haussonville, 1845 |
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Jean Louis Theodore Gericault, Raft of the Medusa, 1818 *based on story of passengers that died on raft, gericault studied the insanity of man, even tied himself to raft, disliked slavery |
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Jean Louis Theodore Gericault, Insane Woman (Envy), 1822 |
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Eugene Delacroix, The Death of Sardanapalus, 1827 |
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Eugène Delacroix, Scenes from the Massacre at Chios, 1822 |
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Eugène Delacroix, Liberty Leading the People, 1830 |
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John Henry Fuseli, The Nightmare, 1781 |
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Francisco Goya, The Sleep of Reason Produces Monsters, 1796 |
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Francisco Goya, The Family of Charles IV, 1800 |
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Francisco Goya, The Third of May, 1808 |
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Francisco Goya, Saturn Devouring His Son, 1819 |
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Francisco Goya, Witches' Sabbath 1821-3 |
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Jean-François Millet, The Gleaners, 1857 *Barbizon school of drawing countryside/ mundane; sympathetic to poor |
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Jean-François Millet, The Angelus, 1859 |
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Daumier, Rue Transnonain, 1834 |
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Daumier, The Third-Class Carriage, 1862 |
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Daumier, The Uprising, 1860 |
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Gustave Courbet, The Stone Breakers, 1849 |
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Gustave Courbet, A Burial at Ornans, 1851 |
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Bouguereau, Nymphs and Satyr, 1873 |
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Bouguereau, The Birth of Venus, 1879 |
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Manet, The Luncheon on the Grass, 1862 *Realist artist whose works were shown at the Salon des Refuses, nude model was recognizable |
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Manet, Olympia, 1863 |
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Monet, Impression: Sunrise 1872 |
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Caillebotte, Paris: A Rainy Day 1877 |
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Caillebotte, The Floor Scrapers, 1875 |
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Manet, A Bar at the Folies-Bergere, 1882 |
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Degas, The Rehearsal on Stage, 1874 *inspired by Japanese prints & photography |
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Degas, Viscount Lepic and His Daughters, 1873 |
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Commodore Matthew Perry, 1854 *Japanisme -> ~1870s vogue of everything Japanese phenomena, woodblocks influential |
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Sharaku, Ichikawa Ebizo, 1794 |
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Tissot, Portrait of Prince Tokigawa Aitake, 1868
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Manet, Portrait of Emile Zola, 1868 |
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Hokusai, Fuji in Clear Weather, 1830 |
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Van Gogh, Bridge in the Rain, 1887 |
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Mary Cassatt, Young Woman Bathing, 1890 |
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Mary Cassatt, Boating Party, 1893 |