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79 Cards in this Set
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Temple of Aphaia at Aegina c.475 BCE -reconstruction and plan -Doric temple -elongated plan with 2 layers of columns -porch, pronoas, and opistodomus, cella -altar in-front of temple -worshippers never entered |
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Temple of Aphaia East pediment The 1st Expedition Against Troy c.475 BC -Herakles -severe style -had metal bow, but not preserved (bio-degraded or stolen) |
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Temple of Aphaia East Pediment The 1st Expedition Against Troy -Collapsing Warrior -severe style c.475 BC |
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Temple of Aphaia West Pediment 2nd expedition against Troia (Troy) Archer c.475 BC -Reconstruction and model in Polychromy -severe style sculpture (hair in dots, deep set eyes) |
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Temple of Aphaia West Pediment 2nd expedition against Troy -severe style sculpture Athena c.475 BC |
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Plan of Sanctuary of Zeus at Olympia -Architect Libon of Elis -river silt from the 2 rivers nearby helped to preserve and cover sanctuary -Pelopian( god of peplos/creator of Olympic games) -Temple of Hera -Temple of Zeus -made from spoils of Pisa fighting -470 BC- finished 460 BC |
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Temple of Zeus in Olympia -made from spoils of Pisa fighting -Sheild placed on roof (give start and end date) -ramp to access collonage around cella -columns inside cella -Have corner conflict: trygliphs &column needs lined up (corrections made) c.460 BC Architect: Libon of Elis |
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Temple of Zeus at Olympia East pediment Chariot race between pelops and Oinomaon -order varies as to who is on the left and right -center=zeus -left and right= Peplos and Oinomaon -Hippodameia marries peplos - challenges to a chariot race winner gets to marry daughter -expressive faces -shows old body types (not ideal body types) -hair detailed and movememt of fabric- see body under fabrics -painted details c.460 BC |
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Temple of Zeus at Olympia East Pediment Hippodameia -King Oenomaus of Pisa -prophecy that son-in-law would kill him -so made chariot race - winner = marry, loser=execution -Poseidon helped Pelops win with winged horse chariot -Hippodamia married Pelops (winner of chariot race) -Oinomaos defeater in race -myth Why he won? -posiden fell in love with him -Pelops bribed Posiden to help him win c.460 Bc |
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Temple of Zeus at Olympia East Pediment The seer Iamos c.460 BC |
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Temple of Zeus at Olympia West Pediment Wedding of Peirithoos and Laodameia -importance of athletics, warfare and marriage -centaurs get drunk and try adn rape the women -Severe Style -big chin -heavy eye-lids and inset eyes -detailed rendering in the hair -thick rope of hair around face c.460 BC |
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Temple of Zeus at Olympia West pediment Hippodameia & Eurytion -Severe Style -big chin -heavy eye-lids and inset eyes -detailed rendering in the hair -thick rope of hair around face -fabric loose, see body underneath -lapith women getting grabbed by centaur -women with 1 naked breast refer to contest in Olympia?? c.460 BC -Sculptor- unknown (pausanius gave 2 names - Paionios and Alkemenos -neither active during time made tho) |
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Nike By Paionios -located at Temple of Zeus front -dedicated to the Olympian Zeus -possibly suppose to be Acroteria? Sanctuary of Zeus in Olympia c.420 BC |
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Temple of Zeus at Olympia Metopes -located between the Trigyphs -Severe Style -big chin -heavy eye-lids and inset eyes -detailed rendering in the hair -thick rope of hair around face -fabric loose, see body underneath 12 labours of Herakles -credit of herakles as founder of olympic games -athletic model -cretian bull ect. |
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Temple of Zeus Metopes Herakles, Athena and the Stymphalian Virds -Severe Style -big chin -heavy eye-lids and inset eyes -detailed rendering in the hair -thick rope of hair around face -fabric loose, see body underneath c.460 BC |
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Plan of the Sanctuary of Zeus at Olympia Workshop of Pheidias -beside the Tememos -had pottery vase with his name on it (dated 430s) -well-preserved because later used at church -casting molds found in workshop ( athena's drapery) -Pheidias over saw the pantheon in Athens (made statue of Athena) -tried in Athens for stealing Ivory/gold from the statue of Athena construction -represented himself and Perikles on Athenas shield (not good) -Escaped to Olympia??? -tried again in Elis for stealing Ivory from Temple of Zeus |
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Temple of Zeus at Olympia East Pediment Hippodameia -gesture of the "Anakalprits" (unveiling self) -related to tradition to thanks Hera for wedding with pelops -right of passage - wore short kee-high dresses left 1 breast naked c.460 BC |
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Temple of Zeus at Akragus Plan C.480 BCE -very elongated temple -no open colonnade -2 enterances -had statues holding the top up (7m high-statues- telamones) -had statues holding the top -pediments had sculpture -capture of Troy |
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Temple of Zeus at Akragas -Restored Elevation of the Temple c.480 BC |
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Temple of Zeus at Akragas One of the Telamones 7m high statues (Telamones) -held up the top -no open colonnade c.480 BCE? |
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Selinus, Temple E -doric temple -western Sicily Dedicated to Hera -note Adyton ( back room for cult statue and sacrifices)- archaic feature private -elongated plan -stairs to get into each space ( different levels = highest with cult statue) -opisthodomos room in back |
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Temple E at Selinus Metope -western sicily -2 figures on each ( 1 usually divine) -marble arms,faces and feet details Hera and Zeus -marriage scene -archaic folds and drapery (heavy) -Severe style on chin, eyes ect. -deep releifs c.460-450 BC |
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Temple E at Selinus Metope Death of Aktaion -trick dogs to think he isnt the owner (dogs killed him) -skin details = marble (probably restoration) Archiac Folds and drapery with severe style facial features -detailed layout and deep releifs c.460-450 BC |
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Temple of Hera II at Poseidonia Plan -Sanctuary of Hera (had 2 temples dedicated to Hera) Dedicated to Apollo (said by some) -cella into 3 naves with columns -staris into cella -no decor on metopes -painted decor instead -doric temple? c.470-460 BC |
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Temple E at Selinus metope Herakles and Amazon -western sicily -2 figures on each ( 1 usually divine) -marble arms,faces and feet details -archaic folds and drapery (heavy) -Severe style on chin, eyes ect. -deep releifs c.460-450 BC |
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Temple of Hera II at Poseidonia -Sanctuary of Hera (had 2 temples dedicated to Hera) Dedicated to Apollo (said by some) -cella into 3 naves with columns -stairs into cella -no decor on metopes -painted decor instead -doric temple? c.470-460 BCE |
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Locri, Marasa Ionic Temple Plan -no columns in cella -pronoas, cella and opisthodomos present -columns had flower decor -material from syracuse (tyrant had a role in the temples construction) c.480-470 BCE |
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Ionic Temple D at Metapontum c.470 bc - to Artemis or Aphrodite (maybe- dont know) -no clear inscriptions -no opisthodomos in the back - no columns in the cella -collar of the columns have a differnt decor than normal |
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Athenas Agora end of 5th cent BC |
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Stoa Poikile in the Agora at Athens "the painted stoa" -benefactor was Cimon? (politician) -decorated by the most important painters of the time (Polygnotos, Mikon, Panainos) -shows famous greek battles and wars (sheilds also) -meeting place -had Doric columns in porch (outside) -Ionic Columns inside reconstruction c. 470-460 BC |
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Tholos in the Agora at Athens -circular town building -meetings and lviing space for live in magistrates (the Boule and Prytaneis "chairmen") -roof supported by 6 columns inside -stored standard weights and measures inside -would dine there (public dining ware found) Reconstruction c.460-450 |
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Tholos Plan in the Agora at Athens -circular town building -meetings and lviing space for live in magistrates (the Boule and Prytaneis "chairmen") -roof supported by 6 columns inside -stored standard weights and measures inside -would dine there (public dining ware found) c.470 BC |
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Kritios Boy -Kouros (male scupture at time) c.480 BC -Severe style (weight balance different- right leg bent) -big chin -buggy inset eyes and heavy lids -calm expression -hair rolls around the face -muscles scene with soft rendering (more fleshy) -supports still seen on thighs for the arms/hands -eyes made of ivory/marble prob (gone now) -head reattached- the wrong one on for years -found in Athens Acropolis?? |
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The Tyrannicides harmodios and Aristogeiton -Marble Copy of a bronze orgional of Kritios and Nesiotes -naked with one outstreched arm - seen on many vases ect -idealized body (purpose to see better?) -few bonze sculptures are preserved -477/476 BCE |
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marble copy of the Statue of Aristogeiton from Group of the Tyrannicides by Kritios and Nesiotes -naked with one outstreched arm - seen on many vases ect -idealized body (purpose to see better?) -few bonze sculptures are preserved |
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Angelitos Athena "Angelitos dedicated me for Athena"- inscription -wearing peplos robe (new ot time- not archaic) -wearing her edris (goat skin) with gorgion on chest C.480 BC |
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Charioteer from Delphi Once dated 478/474 BCE Now dated 460s BCE - Who dedicated to? from Who? -Is the base found by it belong? -very detailed work- peplos and drapery liek a column -inlaid marble and stone for detail - looks like Apollo on West Ped. of Temple of Zeus in Olympia |
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Charioteer from Motya -Phoneician Settlement -weight on one leg and arm bent (standard postion) -Wearing thin dress but heavy drapery at end (archaic styled) -hair has snail-shell curls -strap in middle with 2 holes in it (metal detailing?) - Why Greek represtation seen in Phonecian Settlement? trade relations- stealing -Commissioned work? 480-450 BCE |
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Kalamis Zeus or Posieden from The sea near Cape Artemision -uncertian to which god -stance may be zeus throwing lightening -head profile but body forward - interst in human body since 5th cent -Temple E in Selinus represents zeus in similar way c. 460-450 BC |
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Bronze Warrior A From Riace (Rome/south Italy) -found in the sea in the 1970s -part of a shipwreck from Greece? -Monument dedicated to Delphi? (time-frame same) -end of transitional period -older than Warrior B found 460-450 BC |
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Bronze Warrior B From Riace (South Italy) -found in Sea - end of transitional period -restored both arms in ancient times -was holding a spear, sheild, helmet -prob same sculptor as warrior A -copper lips and nipples -silver teeth -ivory eyes -Stolen by Nero when Corinth sacked? 460-450 BC |
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Discobolos (Disc Thrower) by Myron - from Eleutherae -shows interst in anatomy -orgionally made in bronze Roman Copy of the Origional c.450 BCE Roma Museo Della Terme |
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Athena and Satyr by Myron - Athena want to play Aulos (double flute) -realized she looked ugly when playing and threw it away -Marsyas took it and played it instead c.450s |
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Athena and Marsyas By Myron - Athena want to play Aulos (double flute) -realized she looked ugly when playing and threw it away -Marsyas took it and played it instead c.450s |
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Mourning Athena, Releif -from persian debris -found in feilds of the acropolis in Athens -dated after the Invasion -not allowed to rebuild but this could have been from worhsippers/cult dedications -Athena with helme.spear, Steele reading names of deceased from invasion (probably) c.470 BC |
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Athlete Crowing Himself Releif -Severe style ( big eyes, chin ect) -holes in head for a crown -traces of paint = was blonde c.470 BCE |
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Enthroned Goddess from Taras -typical Archaic dress style -typical Archaic hair - ribbon of curls on forehead -face typical severe style (big chin, lips and eyes) -wearing cap called Sakkos -show same characteristics is painting as in sculpture c.480-470 |
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Terracotta Plaque from Locri Sanctuary of Mannella -prepararyions for a wedding (persephone and Hades) -releif -only show profile cant do face on yet c.460 BCE |
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Terracotta Plaque From Locri Sanctuary of Mannella Aphrodite, Aros and Hermes c.460 |
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Attic Calyx-Craer (Side A) Artemis and Apollo slaughter sons of Niobe -by Niobid Painter -red figure pottery- allow for more details (started 525 BCE) -less use of added paint -figures less stiff - allow for more movement -drapery can be expressed better -figures on all different levels Side B -herakles & Athena join greek heros -not frontal faces with frontal bodies Niobe=profile eye on profile faces fro 1st time Polygnotos= 1st transparent drapery present 1st opening of mouth- see teeth c.460 BCE |
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Tomb of the Diver in Poseidonia -symposium on walls -lid and framed with details -show instruments (barbaton) and structure (Cautobus- wine flicking) -women=white, men= red Transitional phase c.480 BC |
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Tomb of the Diver Ceiling Block in Poseidonia -symposium on walls -lid and framed with details -show instruments (barbaton) and structure (Cautobus- wine flicking) -women=white, men= red -Transitional phase -posiden -close to native people- native buried there? c.480 BCE |
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Athens Acropolis Plan -Old Acroplois -Have Old Propylaia -Old Temple of Athena -Ekatompedon (destroyed by persians invasion) -decided to leaves ruins as reminder to failure c.480 BCE |
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Athens Acropolis Athena Promakhos - "fighter in fore front - Defender" -have fragments of what happened on it Bronze statue -have shield with imagery of Centaurs and lapiths -Right after you walk through the Propylaia -held spear and Nike, -Pheidias did it? |
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Athena Lemnia by Pheidias -hoding spear -ribbon around head with calm expression -origional does not survive ( Bronze?) Roman Copy c.450 BCE |
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Athens Acropolis -occupied since 6th cent -High Classical perios (450-400BC) -Athens most important and creative place -Delian league 454BC trasury moved to Athens -449BC Peace of kallias = peace between persians and greeks -431-404 Peloponnesian War stalls work on acroplois Building phases of the Parthenon and Temple of Athena |
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Programme of Buildings on the Acropolis Athens from 447 BC Delian league 454BC treasury moved to Athens -449BC Peace of kallias = peace between persians and greeks -431-404 Peloponnesian War stalls work on acroplois Building phases of the Parthenon and Temple of Athena |
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Plan of the Parthenon -periklnian Parthenon is what we see today -used old pieces to make new ex. preparthenon in N. wall and Frieze from "old Temple" is N. wall -Phedias general manager -periklces Overseer of project -kallikrates and Iktinos were architect -altar of Athena Ergame -stair to roof -doric order temple -Frieze= ionic columns in pronoas -covered ceiling throughout -had pool of water t keep marble ivory from cracking -marble from Mt. Pentellekon 447-432 BCE |
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Parthenon Center of East Pediment Reconstruction -Birth of Athena -is zeus sitting or standing? -Athena and hera which side? -Lord Elgin in BM Figures positions are argued over |
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East Pediment of the Parthenon right bottom =Chariot of night (Selene -Moon) left bottom= Chariot of Sun (Helios) -Birth of Athena -is zeus sitting or standing? -Athena and hera which side?- Lord Elgin in BM -thin drapery -back of sculptures also fully developed |
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Parthenon West pediment Contest between Athena and Posieden -figures create an X in the center -pretty ruined- not a lot left jacques Carrey reconstruction/drawing very helpful -wet drapery Reconstruction |
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Parthenon South Metope Lapith and Centaurs -Not a whole lot preserved -complex overlapping of figures -deep releif -centaur defeating the Lapith - great expression |
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Parthenon Frieze -frieze crown = meander pattern -procession -shows musician vases for rites, victims for sacrfice, chariots ect. -complex and detailed Peplos group- gods not paying attention beside them -boy/girl naked? |
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West Frieze on the Parthenon -Riders -overlap and complex depictions -metal deco was added for details -all men wearing different clothes (rep different tribes of Athens) |
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East Frieze of the Partheon The Robe for Athena -Peplos group making peplos for Panthaneion fest. OR -Praxithea and 3 daughters of Erechtheus "king of Athens" -to win war with Elleusis he must sacrifice youngest daughter- he does but the 2 other want to be too -short naked one to put sacrificial shroud on -ideas of who the short figure is (Myth and Athena?) |
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East Frieze Parthenon Boy or Girl questions? Praxithea and 3 daughters of Erechtheus "king of Athens" -to win war with Elleusis he must sacrifice youngest daughter - he does but the 2 other want to be too -short naked one to put sacrificial shroud on -uncommon for children/women to be seen naked in art |
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Varvakeion Statuette Roman version of Athena Parthenos -copy of possible cult statue in Parthenon -helmet with pegasus and shpinx in the middle -very close copy but missing details on both sides of the sheild -also no base details 2nd Cent AD |
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Athena Lenormant Unfinished roman copy of Athena parthenos -show sheild details and base details as well prob 3rd cent AD |
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Neo-Attic releif of Sheild of the Parenthos Athena -Roman period Copy -Pheidas but himself and Perikles on the sheild = got in trouble for it Scene of Amazonomachy |
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Roman Copy of the sheild of Parthenos -show perikles and Phidias as warrior on shield Scene of Amazonomachy |
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The Propylaia on Athens Acroplois 437-432 BCE -Pinakotheke (picture gallery) -Temple of Athena Nike (Victory) |
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Propylaia on Athens Acropolis 437-432 BCE Section East-West -doric columns in front and back -passage way ionic columns -sides not symmetrical -metopes not sculpted -built in 5 years -marble -Mneskia was the architect -ramp up to enterence |
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Temple of Athena Nike on Athens Acropolis -420s BC -small temple -built beside the Mycenaean fortification that still stood -archaic cult - propylaia entrance you saw the back (all temples face East) -Ionic order -no pronoas or opistodromos -has continuous frieze around ( very similar to Temple at Ilissos) |
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Temple of Athena Nike on Athens Acropolis -view from the South -enterance at the East -Ionic order -continuous frieze -small - no pronoas and no epistodomos -420s BC |
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Temple of Ilissos (435-430 BC) vs Temple of Athena Nike (420s BC) -Ionic Temples -layout to be mirrored or copied |
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Balustrade of Athena Nike -Athena Adjusting her sandal 410-405 BCE |
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Erechtheion on the Acropolis of Athens c.430- 406 BC -worship Athena, Erechtheus, Posieden, and Boutes - on slope of acropolis -has sacred olive tree outside -altar dedicated to zeus at entrance -not usual greek temple plan - no colonnade -4 rooms -each for separate gods -Ionic order (except for the South porch) - 4 figures hold up porch (Caryatids) -interrupted by the polyponesian war and finished after |
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Erechtheion south Porch c.430- 406 BC -Caryatids -Weight changes- symmetry of figures -painted with yellow and details -calm expression - become more popular to do (seen in 530 at the Treasury of Siphnians) |
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Severe Style |
-Clear cut proportions -robust modelling -sober expression -mobile/movement, narrative oriented figures -pre-dominant use of bronze -490-450 BC Approx |
